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Literature, PoetryFebruary 23, 2017

Where I Leave You

What if God was one of us, by Amena Bandukwala. Image courtesy of the artist

Remembering this: the sadness of a straight line, or lines that mean things against my body. What I draw in my abdomen, what I learn to be the thing that separates us. The love in a circumference, holding your face in my palms when I know it is the last time I will see you, and your face suddenly becoming a map of my worlds. Many years later, I see you split: your eyes on a girl with sun kissed hair, your nose hissing in despair, the mouth on another face, the back installed on a man with fearless gaunt. I see you everywhere. And remember this: how geography can be used against you, the body you once knew, the face that was your map, a world no more. This is where things come to die, or so you were told. This is also where things come to bloom, sporadically so. This is where you will find yourself become another one. This is where you hide, or you become, depending on your will to live. This is where your dreams meet each other, and somehow collide, all on the same face. This is where, suddenly, you are no one. This is where you do not belong, and to do, you slide into someone else’s face. This, you were not told, but this, you assume to be dangerous. This is where you walk with caution: three steps forward, look to the sides. This is where you always pray, but forget what you’re praying for. This is where your mouth opens and nothing comes out. This is where you hide your children and teach them not to cry. This is where you will cry for years. This is where you learn the names of different lands, their borders marked against your body as if they all had faces. This, you know: what you must do to be, to exist, to be seen without the scars that blossom on your sides, on your wrists, on your thighs, and names that call you different things each time: alien, immigrant, refugee, and now, names you do not recognize. This is where I leave you: our faces maps no more, but lands for others to inhabit – we must be straight lines too, our bodies the borders to new fruits.

~ Mahtem Shiferraw

Mahtem Shiferraw is a poet and visual artist from Ethiopia and Eritrea. Her work has been published in various literary journals. Her poetry collection, ‘FUCHSIA’, won the Sillerman Prize for African Poets.

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Amena BandukwalaMahtem ShiferrawPoems Against Borderspoetry

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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