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Literature, PoetryJanuary 4, 2017

My mother calls me Srikandi

Boundaries, by Zahra Asim. Image courtesy of the artist

Bow and arrow clasped beneath the ribcage.
Sex turned, pulverised passionfruit, inside out.
Killed by swordsmanship.      A wren
Of a beached thing, flailing, always once
Something else. We were once always
Gods,
Mythological creatures, imagined
As future generation in a bowl
Of cassava given to a toddler, mollified
Only by prophecies come to bear,
On stories collectively hung upon midnight.
A soul in Shikandini’s shapeshifting body,
Vapor, her lungs
Dripping wax from shadows.
~ Khairani Barokka

Poet’s note: Srikandi or Shikandini is a figure in Indian as well as Javanese mythologies, each with different retellings. My mother invariably calls me this as a compliment.

Khairani Barokka is a writer, poet and artist in London. She is author and illustrator of the poetry-art book ‘Indigenous Species’ (Tilted Axis Press, December 2016), co-editor with Ng Yi-Sheng of ‘HEAT: A Southeast Asian Urban Anthology’ (Buku Fixi Publishing, 2016), and co-editor, with Sandra Alland and Daniel Sluman, of Nine Arches Press’ UK anthology of D/deaf and disabled poets (forthcoming April 2017). In 2014, she was recognized by UNFPA as one of Indonesia’s ‘Inspirational Young Leaders Driving Social Change’. Her first full-length poetry collection, ‘Rope’, will be published by Nine Arches Press in September 2017.

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Khairani BarokkaPoem of the WeekpoetryZahra Asim

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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