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Literature, PoetryMay 3, 2017

The Word

The Other Lands by Ghazala Irshad. Artwork courtesy of ArtChowk the Gallery.

The word crumbles with the arrival
of its other half       the word
of nothingness and the placeless
is the staple of my people
they cannot ensure a clean death for me
they cannot ensure my reincarnation back to those lands
for my heart will start calling others
— when the breath is crystalline
Others who look alike
are flying towards their archetypal mothers
through vertical horizons declaring:
‘no one is abandoned
everyone is loved       if not by their parents
they are by their God       yes!’
The word is contagious when it is not written down
it airs from a forgotten grave       clinging on the tail
of a breath that has no lungs behind it
it hangs over bodies making love
like a lamp       illuminating the beauty of pale
— here and there
I’m looking forward to welcoming that word
or else I’ll be left alone with the blue witch’s
broom in the side alley
of an unspeakable childhood
or a bird will cross my path
towards the end of my homeostatic cycle.
~ Elif Sezen
Elif Sezen was born in Melbourne in 1981 and grew up both there and in Izmir, Turkey. She settled in Melbourne in 2007. Also an interdisciplinary visual artist, she writes original poetry in English and in Turkish. In 2014 she published a Turkish translation of Ilya Kaminsky’s acclaimed book ‘Dancing in Odessa’, and her own first work in Turkish, ‘Gece Düşüşü’ (‘Fall.Night.’), an experimental mix of poetry and prose, was published in 2012. Her collection of poems ‘Universal Mother’ was recently published by GloriaSMH Press, and she has also published a chapbook titled ‘The Dervish with Wings’. She holds a PhD in Fine Arts from Monash University.

Poet’s note: This poem first appeared in ‘Universal Mother’, GloriaSMH Press, 2016.

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Elif SezenGhazala IrshadPoem of the Weekpoetry

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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Catherine’s Wig

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