
Trash-Horror Ephemera: The Films of Chester Novell Turner
Film Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good” and “bad” lose all meaning.
Read MoreFilm Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good” and “bad” lose all meaning.
Read MoreFilm Critic Jay Sizemore wonders whether George Clooney’s passion for his new project The Monuments Men proved to be its undoing.
Read MoreContributing Editor Marcus Nicholls applies the ideas of Jun’ichirō Tanizaki to a comparison of Western and Eastern horror cinema.
Read MoreOur disappointed film critic Jay Sizemore gathers his thoughts on one of the worst attempts at a franchise revamp he has ever seen.
Read MoreThe Missing Slate’s film team is joined by other editors in choosing the movies readers ought to watch this Valentine’s Day.
Read MoreSenior Film Critic Tom Nixon argues that Zach Clark’s christmas comedy White Reindeer becomes even more relevant as we settle into the new year.
Read MoreInside Llewyn Davis fits into the Coen brothers’ “consistent moral vision”, writes Contributing Editor Christine Jin.
Read MoreAlexander Payne’s Nebraska may not be a feel-good road trip movie, but Film Critic Jay Sizemore writes on why it’s a journey we all need to take.
Read MoreFilm Critic Jay Sizemore explains why there’s “hope to be found” in Jean-Marc Vallée’s Dallas Buyers Club.
Read More“Her is the ‘Fahrenheit 451’ of the iPhone age”, writes film critic Jay Sizemore about a film on human connection and what it really means.
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