Manto’s Nuances of Freedom
Features Editor Sana Hussain writes of Pakistan’s arguably most controversial writer in Urdu and how the troubled writer coped with 1947’s partition from India.
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Features Editor Sana Hussain writes of Pakistan’s arguably most controversial writer in Urdu and how the troubled writer coped with 1947’s partition from India.
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A critical review of established Pakistani socialites… by returning contributing writer Thirteen
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Morality is difficult enough in life, but morality in literature spans a much richer tapestry writes Maria Amir.
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Oxford University Press Pakistan’s Managing Director, Ms. Ameena Saiyid has nearly singlehandedly, turned the country’s publishing and literary scenes on their head. Ghausia Rashid Salam writes about Ms. Saiyid’s journey and why being a woman in a man’s world has made all the difference.
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From our eighth issue, Sana Hussain writes about the frayed but still consistent relationship between creation and censorship.
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In which the writer argues films, however refined a medium, cannot (and never will) hold a candle to the novels upon which they are based.
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In the seventh issue’s cover feature, Sana Hussain writes about the constant quest for belonging in literature from the Lost Generation up to and including the twenty first century.
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by Jacob Silkstone
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In an exclusive, The Missing Slate got the chance to sit with Pakistani poet Ilona Yusuf at the Islamabad Literature Festival on April 30. From politics, reading culture and advice for aspiring literati, we’d like to believe we have it all. Read on.
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The Oxford University Press Pakistan Museum & Archives in pictures. Photographed by The Missing Slate’s Nabiha Zeeshan with accompanying text by Ghausia Rashid Salam.
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