• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Commentary, EssaysJune 10, 2013

The Five Kinds of Aunties

A critical review of established Pakistani socialites…

By Thirteen

Bunnieantoinettesmall1One disadvantage of being a daughter and, on top of that, a mother’s confidante (a position I automatically assumed, being the eldest) is that only in rare instances can you be excused from the boring, mind-numbing, self-esteem-shattering socialite parties that she and her friends arrange every other week specifically to make life extremely unbearable.

As inconsiderate, misanthropic and magnificently sociopathic as I am, I try to come up with one solid excuse after another to make sure I don’t get stuck in the (proverbial) spider’s web, but things never quite go my way. So I sit there, brooding and whining to anybody who will listen about how bloody unfair it is to be forced to watch and be tortured by so many ageing women. Some take offence and never sit with me again.

Presenting the various types of aunties that have amused me on a regular basis throughout my life:

The “Jaani” Aunties:

One word that scares the bejesus out of me is “Jaan”, along with its various other forms, such as “Jaani, Jaanu, Jaaneman” etc. Who the hell came up with it anyway? When a fifty-year old lady tries to infuriate you by saying something like: “Jaani, are you 25 years old? My daughter is the same age and she has a baby now. Ripe age to get married, Jaani,” all you can think about is telling her to kindly leave you alone and walk away. Since that’d probably result in your mother disowning you for good, however, it’s best to refrain.

These aunties, with one foot in the grave and another in your business, ought to have left us a long time ago. On the other hand, considering their resilience, they’ll probably outlive us all.

The Maasi Museebtays:

Dressed not too differently from the “Jaani” Aunties, these fine, old, wrinkled women were sent by Mother Nature for the sole purpose of tormenting young people. Their chosen method is often by elaborate, unnecessary lectures on marriage, and how it is important to drop everything else in your life for one man and the resultant offspring your togetherness would bring in to the world.

Every week, they will call and drop in with a “rishta”, as if they have been warned of dire consequences (such as a permanent place in hell) if they don’t make another person’s life extremely awkward and difficult by attempting to set them up with a total stranger.

Forget that old, dilapidated weighing instrument in the washroom that insults you every morning! Meet The Human Weighing Machines.

The Maya Khans:

Gossip queens. Annoying social butterflies. They know everyone in town and hunt young couples in order to be able to discuss the finer details of how such-and-such was spotted on a date with such-and-such in Café XYZ. I heard one of them exclaim: “Haye, Zohra! They were staring at each other just like they do in those Bollywood movies! No morals these ajj kal kay bachay have!”

If you ever go out with your significant other and see a woman with dyed, straightened hair and a superior “I-will-destroy-you” look on her face – run, RUN in the opposite direction, as fast as you can.

The Al-Huda Aunties:

Because they have nothing better to do – and they prefer it that way – these aunties collectively invade alcoves in posh areas once or twice a week just to hear someone preach. These fortunate women will usually harass you about your “praying habits” and be horrified if you dare disagree with their point of view. While you may do your best to avoid them like the plague, these efforts are rarely successful, and you will get subtle reminders on how to mend your ways, or else the wrath of God will slay you dead at any given moment.

God forbid, if you spot a ninja approaching, just wrap a stole/dupatta/scarf tightly around your head, look towards the sky, roll your eyes as if in direct conversation with God, and wait for them to pass.

The Human Weighing Machines:

Forget that old, dilapidated weighing instrument in the washroom that insults you every morning! Meet The Human Weighing Machines. Greet them after a four day absence, and they will be able to gauge the difference in your weight up to the last gram.

HWM: Hi beta! Look at how kamzor you have become. You girls these days don’t eat at all. Eat na! — Me: *scowl*

HWM (after two days): Haye beta! Why so fat? I have joined a gym. Why don’t you come with me too? — Me: *stay the hell away from me, woman* (under my breath, of course.)

There is no human way to deal with these beady-eyed women, so just sit tight for a few minutes while they pass comments on your shape and form. If that doesn’t stop them, just sit on them. That ought to teach them a lesson or two.

 

Thirteen is a grouch dispassionate about the shenanigans of the universe and all that it has spawned, yet continuing the rather Sisyphean pursuit of pointing out what ails it.

Artist bio: Joanne Renaud is an illustrator, who graduated in illustration from Art Center College of Design in Pasadena, California. Before moving to Southern California, she studied graphic design at Central Washington University and art at the University of Ulster in Belfast, Northern Ireland. This piece “Bunnie Antoinette” was featured in our third issue.

Tags

FeaturedSatiresocial commentarythirteen

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleThe Moral of the Story
Next articleTo Reality and Beyond!

You may also like

A SHEvolution is Coming in Saudi Arabia

Paxi: A New Business Empowering Women in Pakistan

Nature and Self

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Prophecy (A translation)

Translated by Moniza Alvi

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
Cucumbers

by Jason Irwin

Close