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MagazineJuly 4, 2013

The Poor Dears

I told her that I was a friend of her cousin Faiq and had come to spend a few days in Karachi. Then I asked her if I could, perhaps, come and visit her at her house. I asked her for her address and mentioned that I would drop by some evening after my return from Taxila.

“Tell me the day you want to come and give me your address,” she whispered. “I will have my brother come and pick you up.”

This was the second and the last full sentence the girl uttered. I fished through my date book and gave her my address and the date on which I was scheduled to leave for Beirut.

I related the details of my meeting with Naima and her folks to Faiq. All he seemed to be interested in, though, was my comment that if he was looking for an Eastern wife he would not find a better girl than Naima, from east of Suez to Cambodia.

Children, some barefoot, some with runny noses, romped around. Here and there along the street some people had set up cots on which they sat or lay. There were no foreigners. 
To return to my meeting with Naima and her family: On the appointed day, the hotel receptionist sent to my room a youth whose face was all but covered with pock marks. He looked just as frightened as Naima had sounded over the phone. He had come to escort me to their house. I offered him some refreshments but he declined, adding courteously, “Back home, we are all waiting for you to join us for tea.”

The poor man seemed even more overawed by the hotel than by me. It was probably the first time that he had set foot in it, and was feeling quite out of place in its plush, swank environment. I asked the waiter for a taxi and came out of the hotel with the youth in tow.

Throughout the ride I remained silent. I didn’t wish to embarrass my young companion further. He, on his part, preoccupied himself with giving directions to the cab driver. We passed through different parts of the city, each with its peculiar lifestyle. The faces, bodies, and garb of most of the pedestrians suggested that we were proceeding from affluence to poverty, from a world of plenty to a world of dire need. The women in Naima’s neighborhood flitted about in veils. Children, some barefoot, some with runny noses, romped around. Here and there along the street some people had set up cots on which they sat or lay. There were no foreigners.

Naima’s brother led me into a dull, pale building. We climbed several flights of dark, dank stairs and entered a flat on the third floor. I had to spend some time alone in the living room. In fact I had expected that and was mentally prepared for it. As I sat there waiting for my hosts to appear, I realized my mistake. I should have met these people immediately after my arrival in Pakistan, so that on a second visit around the time of my departure we would have become informal enough for me to gauge their true feelings, and to have some idea of their hopes and aspirations. It is amazing how a first meeting, no matter how protracted, almost never creates the same degree of informality as that generated by the interval between two short meetings.

The first to enter the room was Naima’s mother: middle-aged, sallow-complexioned, tolerably good-looking—I thought. Next came Naima’s sister. She looked more like a younger sister of the middle-aged lady, with nothing striking about her. The last to enter was Naima herself. She was truly stunning.

I had thought I would spend at most an hour with them. But I ended up spending the whole evening. By the time I got up to leave, I had become thoroughly acquainted with the entire family and its past life.

The hospitality started with fried snacks. Later, the older daughter, succumbing to the old lady’s persistent requests, sang a Mira bhajan for me, and Naima, again at her mother’s behest, played a cracked disc on the gramophone, to which I listened with feigned interest. I was also formally introduced to the photographs that hung from the wall. One of these, a picture in copper tones, shot most probably some time between 1930 and 1940 and printed on orthochromatic paper, was of the girls’ father. Like the occupants of the house, I, too, had to pick up the picture and look at it in reverent silence for a while before replacing it on the wall.

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fictionhasan manzarIssue 9Muhammad Umar MemontranslationsUrdu

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

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The Skull of the Chief Architect

From our ninth issue, Afzal Ahmed Syed's prose poem, translated from the Urdu by Musharraf Ali Farooqi

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