Afzal Ahmed Syed, Musharraf Ali Farooqi" />
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MagazineAugust 1, 2013

Whose Grave Is It that Lies by the Juniper Tree

Translated from Urdu by Musharraf Ali Farooqi

In the profusely green hills spread from Abu Ayyub al-Ansari’s mausoleum to Pierre Loti Point, one sees many white tombstones. It is perhaps the world’s prettiest cemetery. From here, the cerulean beauty of the Bosphorus and the city of Istanbul appear even more captivating. The occasional olive tree planted between the juniper, Tabrizi, cypress, deal-wood, Sekran, and aspen; the carefully grown flowering plants, along with their wild cousins; the minimalist inscriptions on the commemorative stones. Just the name, the year of birth, and the year of death. How would this marker seem here?

Afzal Ahmed Syed

Pedaish 1946

Wafat  2012

 

But in the face of annihilation, inscribing even this much is a transgression. Let us strike it out:

Afzal Ahmed Syed

Pedaish 1946

Wafat  2012

~ Afzal Ahmed Syed

 

Afzal Ahmed Syed’s selected poetry Rococo and Other Worlds was published in Musharraf Ali Farooqi’s translation by the Wesleyan University Press Poetry Series in 2010. His collected poetry in translation will be published by Yoda Press in 2013-2014. He has translated works by a number of Eastern European poets, as well as Gabriel García Marquez, Jean Genet, William Saroyan, and Jonathan Treitel. Find out more about Syed here.

 

Translator’s Bio: Musharraf Ali Farooqi is a critically-acclaimed author, novelist and translator. His recent works include the novels “Between Clay and Dust”, “The Story of a Widow”, an illustrated book “Rabbit Rap: A Fable for the 21st Century”, and the translations of Indo-Islamic epics “The Adventures of Amir Hamza” and “Hoshruba”. More information about the author is available on his website. 

Featured Artwork: “Lady of the Castle by Strooitje” by Joeri Von Royen. 

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

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