Anjali Joseph" />
  • ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
MagazineOctober 14, 2013

Another Country

By Anjali Joseph

‘Another Country’, Anjali Joseph’s second novel, shifts between Paris, London, and Bombay. This excerpt is taken from the first section, in which Leela Ghosh is working as a language teacher in Paris. Here, we follow Leela through “the morning after” — waking up from a night spent with Simon, a “reasonably handsome” and effortlessly charming friend of a friend…

The Sailor and the Mermaid by Fanitsa Petrou

The Sailor and the Mermaid by Fanitsa Petrou

When she woke it was early. Cold morning came through the skylights. Simon slept on his back, his breathing audible, like a standing fan. One arm came out of the covers. His hair was rumpled. She felt no desire to touch him, and recollected their long and exhausting feints in bed – the various things he’d done, with which she’d cooperated, increasingly wishing she’d gone home: his putting his fingers roughly into her to feel her wetness, then licking her, something she found intensely embarrassing, and this time, not particularly arousing, and finally sex. She had thought she might come, but hadn’t; had wondered whether to pretend, however that was done, but hadn’t; he had persisted for a long time before finishing. After that he’d tried to touch her, instructing her to move against his hand, but she’d said instead that she was tired, and he had rolled over. How was it possible, when you’d had an apparently urbane, socially competent time earlier, to find yourselves behaving so ineptly when unclothed? She had failed, she supposed; yet, obstinately, she still wanted to be loved.

Confused, parched, and with an incipient headache, she got up from the edge of the bed where she’d lain all night for fear of being caressed in sleep, or the desire that if this happened it should be done deliberately. There were her clothes, strewn about the floor. She picked them up, looked back at Simon, who snuffled and moved the arm that hung off the bed. There was a book on the floor. She moved it to the armchair, then tiptoed down the stairs with her clothes clutched to her. In the beautiful living room, hunched near the bookshelves where she was least visible from the street, she put on her clothes, first her bra, then her pants, wincing at the slight soreness. She looked round the room when dressed, as though to gauge its expression – would she and this place meet again? In the bleached light, the furniture was impassive.

Near the hall table, next to Simon’s desert boots, she found her shoes and pulled them on. She managed to slide back the door bolt, and shut the door behind her. The landing and stairwell were now those of many Parisian buildings. As she walked through the cold interior courtyard, the stone was slimy with dew; black plastic bags gave off overripe odours.

She briefly feared the outer door wouldn’t let her leave, but she found the button to press and slipped into the street. It was raining, and cold. She walked slowly home, reassured by the quotidian misery of the Monoprix, with its fluorescent lights on against the dim day. It was eight o’clock. She bought bread, milk, and coffee. As she crossed the road towards her building, she saw in the alcove of the Crédit Lyonnais the mad old woman, wrapped in her layers of clothing, sitting on the stone ledge. She held a Styrofoam cup of coffee in claw-like fingers. Leela walked towards her, trying not to look, and angry eyes burned into hers. The old woman spat.

In the studio, Leela took a shower, then made coffee. She turned on the television, the lights, the electric heater, and sat on the floor cushion. Late episodes of The Bold and the Beautiful, dubbed into French, were airing, and she watched one, depressed by the huge jaws of the men, their suits, the women’s heels and tans and bouffant hair. The rain became louder, smashing on the thick pane of the single window. Leela imagined floods, people’s cold, wet stockinged feet on the tarmac outside, bus horns, Paris cursing. She didn’t have to go to work. She thought of Simon, when they’d been chatting in the kitchen, saying he kept his car in a garage nearby, that they should take it out and go for a drive in the country one weekend, and she wondered abstractly and yet inquisitively, as a child to whom something has been promised, whether this would happen. Maybe Simon would be her boyfriend? She imagined them doing the things couples did – being seen here and there – and she pictured Patrick’s face when he saw them. But she could see it as nothing other than pleased, if surprised, and she stopped thinking of it and hunched tighter on the floor cushion.

When the programme ended, she went to wash the cup and cafetière, and saw the Chinese student in the window opposite. The air outside was dark and stormy; the light in the toilet was on, and while she washed up she glanced across and thought how cold the little cubicle must be. When the man in the facing window made a gesture of privacy – buttoning up his trousers – he lifted his head and turned, as though drawn to the facing light in her window, and she thought their eyes met for a moment before, embarrassed, even slightly sad, both quickly turned away.

*This piece has been excerpted from ‘Another Country’ (Fourth Estate, 2012), reprinted here with permission of the author.

 Anjali Joseph was born in Bombay. ‘Saraswati Park’, her first novel (2010) won the Betty Trask Prize and the Desmond Elliott Prize, and was joint winner of the Vodafone Crossword Book Award for Fiction. ‘Another Country’, her second novel, was published in 2012 and was longlisted for the Man Asian Literary Prize.

Tags

Anjali JosephFall 2013fictionissue 10

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleThe Rise of Pakistan’s First Comic Book Giants
Next articleUSS: The Uncertain State of Superheroism

You may also like

Peeling the Onion of Central European Writing

Reclaiming the Narrative

Cutting Through The Fat

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

It is easier

“Three paper rosebuds/ strung on an unbreakable thread…”
Poem of the Week (5 April) by Alice Rahon, translated by Anna Kisby.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

Read previous post:
The Rise of Pakistan’s First Comic Book Giants

From a Facebook page to bringing out Pakistan's first true comic book, Ghausia Rashid Salam traces the progress of the...

Close