• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
MagazineJuly 11, 2013

The Escape

He was so caught up in talking to Ahmed that it took him a while to understood why Iran felt so strange, despite its topographic similarity to Afghanistan.

‘No war,’ he said near sunset to Ahmed, when he finally understood.

Ahmed nodded, for once forbearing from jokes. He didn’t need to ask what this statement was doing in the middle of a conversation about poisonous snakes in Dasht-e-Margo – the Desert of Death – which Raza had travelled across in the pick-up truck without knowing its name.

They stopped for the night in a hotel where Raza amazed Ahmed with his command of Farsi, and set off again the next morning. They’d hardly gone any distance when a car drew up alongside them filled with women wearing head-scarves and dark glasses, calling to Raza’s mind all those Hollywood actresses of the 50’s who Harry had loved. For a few seconds the car and pick-up travelled alongside, Ahmed shouting out questions to the women, which Raza translated with a disarming smile: Which of you will marry me, which will marry my friend? Why are you travelling by road, don’t angels fly?, the women shouting back in response, ‘We don’t want husbands who smell of cabbages. Women are superior to angels, why are you insulting us!’, all the while looking at Raza.  All too soon they turned off the road with waves and air-kisses, leaving Ahmed to clutch his heart while Raza mumbled, ‘I think I love Iran.’

Time had never moved so slowly as in the dark dankness of cabbages. […] The cabbages muffled all sound except that of his heart.
He had begun to think the worst part of the journey was over, was already starting to think of the cabbages as his test of fire, and for the first time since Harry died he felt a certain lightening within. They’d left the desert behind by now, and at his first glimpse of the sea Raza hollered in delight. Karachi, Dubai, Miami – all seaside cities, though until he saw the Iran coast he didn’t know that had any meaning for him.

But the closer they drew to the coast, the quieter Ahmed became.

‘Why don’t you just stay here,’ he said, by the time they were close enough to the docks to smell the sea air. ‘If you’re running from the Americans, Iran is a good place to be. You even speak the language. And the women are beautiful – and Shia, like you Hazara.’

He didn’t understand quite what it was that made Ahmed worry so much until nearly an hour after he’d embraced the nomad goodbye and promised that in happier times he’d return and together they would traverse Asia in a pick-up without cabbages.  Then the ship’s captain into whose charge Ahmed had delivered him took him to a wooden boat with a tiny motor, and when Raza asked if there was any place in particular he should sit the captain pointed to the wooden planks underfoot and said, ‘Beneath there.’

Raza laughed, but the captain didn’t join in.

‘Have you pissed?’ he said.

‘What?’

‘Go on. Over the side of the boat. You’re not coming out until Muscat. And there’s no room for your bag down there.’

Raza clutched his knapsack. ‘There are holy artefacts in here. I swore to my mother – ‘

The captain made a dismissive gesture. ‘Just hurry up.’ While Raza emptied his bladder into the sea, the captain pulled up a section of the floorboards. Raza could hear voices beneath. How many people were down there?’

Many. Too many. Raza looked into the bowels of the ship and all he saw were prone men looking up at him, more than one crying out – in Farsi and in Pashto – ‘Not another one. There’s no room.’

‘Go on.’ The captain pushed at his shoulder blades. ‘Get in. We’re late already because of you.’

Raza peered down. There was no space between one body and the next, the men laid out like something familiar, but what? What did they remind him of? Something that made him back up, into the ship captain who cursed and pushed him forward, into the hold, onto the bodies which groaned in pain, pushed him this way and that until somehow, he didn’t know how, he was squeezed into the tiny space between one man and the next and his voice was part of the sigh – of hopelessness, of resignation – that rippled through the hold. It was only when the captain slammed down the hatch, extinguishing all light, that he knew what the line of bodies made him think of – the mass grave in Kosovo.

Continue Reading

← 1 2 3 4 5 View All →

Tags

digital editionfictionIssue 9kamila shamsie

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleThe Poor Dears
Next articleFree Falling

You may also like

Peeling the Onion of Central European Writing

Reclaiming the Narrative

Cutting Through The Fat

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Around the literary world in 80 words (#8)

By Jacob Silkstone

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
The Disposal

Poem of the Week (July 9), by Daniel Roy Connelly

Close