• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
MagazineAugust 1, 2013

The Rose

“This is all your fault,” he said, feeling utterly exhausted.

“Things look,” she began, “different in the darkness.”

“How?”

“You cannot see … your mind moves faster.”

“What’s got into your head?”

“But there’s an advantage,” she went on, “your eyes manage to get some rest.”

“You’ve gone crazy.”

A nameless, impotent rage began to curl its way up through his body and into his brain. The room was getting dark fast. Lights from a passing car shot in through the window, flashed on their faces, and disappeared.
Returning, he dropped down into his chair. This event was totally unexpected; it left him suddenly very tired. In spite of the passage of time, the presence of this woman—the mere thought of her being somewhere around—still inspired only the deepest feeling of comfort in him; she was a haven where he felt perfectly safe and calm. And oddly, she evoked all this without possessing a trace of the seductiveness he seemed to find in all other women—whether close to him or not, with or without names. This infatuation with women had put him through much unnecessary pain. For much of his life he both feared and yet felt irresistibly drawn toward every woman who came his way. The resulting torment left him exhausted, and there were times when he felt he could not keep himself together any more. The sight of a young woman—the prettiest, most profound and complete creation of God—only made him flee her. Oh, yes, he knew years of that misery very well! And right until he had finally married he knew that no matter how much he ran around, the one place he could find calm, care, and security, the place where he regained his insight, his ebbing confidence, and lived in unbounded freedom, was somewhere around this girl. That was how well he knew her!

“You’re in a great mood today,” he said. “Spoiling for a fight, aren’t you … with everybody?”

“Not with everybody,” she snapped, “just with you.” She used the more formal aap, not a familiar tum.

“I can tell you’ve come here straight from a brawl with Mahmud.”

“Mahmud is my husband.”

“So?”

“What goes on between him and me is my personal business.”

“I’m not part of your personal business?”

“No.”

“W‑w‑what?”

“You are not part of my personal business.”

“You’ve got to be joking.”

“No, I am not.”

“Oh,” he said, suppressing his anger. “How I wish it were true.”

“But it is true. You have no part in anything that has to do with me.”

“Then do me a favor, will you? Tell everybody else that.”

“Why?”

“Because I’m pretty sick of trying to keep the peace between you and Mahmud all the time.”

“Well, you can blame yourself for it. After all, you created the mess.”

“I created the mess?”

“You fixed my marriage with Mahmud—didn’t you?”

“So I’m to blame for it—is that it?”

“At least you’re responsible for it.”

“So I’m to blame for it?” he repeated, genuinely shocked.

“I don’t know. I don’t know anything.”

It was staggering, completely unexpected. The otherwise clear, luminous region of the mind which might have registered the impact of what was happening—and so fast—suddenly went blank. He stopped thinking about everything, concentrating on the floor, now littered with spilled milk, tea and sugar. Then getting up so effortlessly to pick up the scattered cups and saucers a little while later, setting them back upon the tray and straightening the overturned table, the tragedy of the soiled carpet and the shattered teacup suddenly hit him in all its comic intensity. He could not believe that this woman—so fiercely independent now, unrestrained in her acts and words (come to think of it, when, in all those thirty years, had she ever looked any different?)—had always seemed to him something like an empty teacup—fragile, vulnerable, even dumb! And he thought he had known her for ages, the ages required to know somebody well! Ages—including childhood, when, unaware of the passage of time, one played with friends in far‑flung spaces nobody else knew existed, and played games so intimate that one even became familiar with the scent of the other’s skin. The time that left its indelible imprint on all the subsequent stages of one’s life, so that later even a casual walk through a spot vaguely resembling a place in childhood evoked warm memories of that rich time, of those places, names, voices, and sometimes, even an unfinished gesture, or a sudden gleam in someone’s eye. Every moment in childhood lasted a whole lifetime. He knew her from back then.

“I’m fed up.”

“With what?”

“Your foolish quarrels.”

“Who asked you to …”

“To what?”

“… stick your nose into my affairs?”

“But I had to.”

“Had to—how so?”

“How? Well … because … because I’m your … oh, well.…”

“Yes, yes, go on, because you’re my what?”

“Well, I mean a member of your family—or almost.”

“But there are other members in my family.”

“Then, I suppose, because I’m responsible for arranging a match for you.”

“Who asked you to?”

“Who? Well … dammit, your family—who else?”

“But I didn’t! Did I?”

“You … er‑r‑r, well, you … you knew about it all right.”

“The important thing is, did you ask me?”

“What difference …”

“… does that make—right?”

“So what do you want me to do now?” he said in a dead voice.

“You just keep out of my affairs, that’s all.” She again used the polite but formal aap.

Even her curt, aggressive manner was new to him. They both went back a lot of years, and he could swear she had never, absolutely never, talked to anyone like this, at least not on a personal level.

“Aap, aap …” he said, “cut it out. Stop this litany. Can’t you speak to me in plain language?”

“Aap … that’s the right word. Yes—aap.”

“Ah‑h‑h‑h!” he emitted a deep, tormented sound.

Continue Reading

← 1 2 3 4 5 View All →

Tags

abdullah husseindigital editionfictionIssue 9Muhammad Umar MemontranslationsUrdu

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleWhose Grave Is It that Lies by the Juniper Tree
Next articleAlone As I Am / Jaise Main Tanha Hun

You may also like

Peeling the Onion of Central European Writing

Reclaiming the Narrative

Cutting Through The Fat

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Private Theatre: Blue Is The Warmest Colour

Contributing editor Christine Jin discusses the controversies surrounding Abdellatif Kechiche’s Palme d’Or-winning romantic drama.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
Whose Grave Is It that Lies by the Juniper Tree

Afzal Ahmed Syed (as translated by Musharraf Ali Farooqi) contemplates mortality and immortality.

Close