• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureMay 29, 2015

Escape

The windows are shut and the curtains have been drawn. Bua never shut the windows. She said evil spirits escape at night and if the windows are shut, they stay inside and possess sleeping bodies. I feel heaviness inside my stomach, as though I swallowed a tiny watermelon whole. Bua used to tell me stories when I couldn’t sleep at night – this was before she started playing with Daddy’s lighter and turned into a stranger. She once told me a story about an old man in the village who killed a snake and the snake’s partner swallowed the frail old man whole.

“Baboo, snakes should only be killed in pairs. If you kill a snake and its partner survives, it will track you down and get its venom inside you. Snakes are deadly creatures.”

Bua said that the old-man-who-got-swallowed was older than her Daada and Bua’s Daada was very old. He had drooping skin – looked like he had many, many layers of skin and I wondered if he felt cold in the winters – and walked with a broken stick up our hill and he looked like the C for Carrot that Auntie Pam used to make me trace on green and blue papers. I know this because he came to pick Bua up a few times and Mother made me go outside and greet him and told me to call him Daada too even though he wasn’t my Daada. My Daada twinkles in the sky at night with the stars. I try to talk to him sometimes and I pretend that he can hear me.

But there are no stars in the sky tonight. And even if there were, I can’t see them because the curtains have been drawn and Mother told me to not open them. I’m all alone and I can’t sleep, and so I play The Quiet Game. Who can keep quiet for the longest time? Me or the crickets or the owl hooting outside? The door opens and Mother tiptoes in. I don’t hear the jingling of her bangles. Her face is wet. I know this because she brings her face close to mine and I can see droplets of water on her cheeks. She asks me if I’m okay but I don’t say anything because I’m playing The Game and instead I nod my head.

A black rock is in Mother’s hand. Her rings are missing. Mother wore pretty rings – not like Bua’s big rings that dug into my skin. Mother’s rings felt cool on my cheeks when she kissed my forehead. She rubs the black rock on my face and then tells me that we’re leaving. Why are we leaving at night when Daddy always says that night is for sleeping and day is for working?

The lights haven’t been switched on in the living room. Mother lights a candle. I hear Daddy and Uncle Kapil but I can’t see them.

Escape. Calana. Helicopter. Karachi.

I open my mouth to ask her why but then I remember that I’m playing The Game and I’m going to win this time.

Mother is sniffling again.

Munaf is standing in the corner of the room, near the door. I can see him because his eyes are shining. Like cat’s eyes.

I finally see Daddy. He lights a cigar and it glows orange in the dark. I reach out to catch smoke between my palms but it escapes.

“Quiet!”

But I haven’t said a word. Only moved close to Daddy’s chair.

“It’s time, mera laal.”

I lift my arms so that Mother can pick me up because my head feels heavy and it’s much past my bed time but Daddy picks me up instead.

“Take care of Mother and chotu. Be well-mannered. You are from a good family. You are not a ruffian.”

Infecshun, conservashun, not-a-ruffian.

I nod and Daddy ruffles my hair.

We get into Uncle Kapil’s car. Daddy doesn’t come with us. The car isn’t like Daddy’s Ford. It’s much smaller. It also smells like dirty water. Mother puts chotu’s crib near her feet and puts the pacifier into his mouth even though he is asleep. She then covers his crib with a blanket. I open my mouth to ask her why but then I remember that I’m playing The Game and I’m going to win this time.

Mother is sniffling again.

Continue Reading

← 1 2 3 4 View All →

Tags

fictionStory of the WeekZuha Siddiqui

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleBut I was…
Next articleMacArthur’s stick

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

The Tragicomedy of Mefito and Tentorea

“Tentorea runs home crying. Mefito stays where he is, horribly anguished. A beautiful love story can’t just go down the tubes on account of a hypersensitive nose and ears.” Story of the Week (July 3), by Pablo Martín Sánchez. Translated from Spanish by Jeff Diteman.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
But I was…

"I was sleeping, exact as bread/ to the lips of the famished. I was formidable in/ my sleep..." Poem of...

Close