Tombstone Blues
Nicholas Sharaf writes about the importance of rising against oppression through the arts.
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The Critics: Voice Recognition
Voice Recognition: 21 poets for the 21st century, edited by James Byrne and Clare Pollard (Bloodaxe: 2009) 168pp ISBN: 978-1-679-85224-838-3 Most poetry anthologies…
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Spotlight: Amra Khan
Amra Khan, is an Islamabad-born Pakistani artist, currently living and working in Lahore. She graduated from National College of Arts, Lahore with a distinction…
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Where Cotton is Mothered
– for mike the promised land is quarantined. double plurals are discontinued and our melodies hated. religious and destitute orphans fitted for…
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Body as Question Mark
He tells lovers I never smile at my own body, its not home, ’til your touch. He tells strangers take your fill. And they…
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Spotlight: Illustrator Joanne Renaud
Joanne Renaud is an illustrator, who graduated in illustration from Art Center College of Design in Pasadena, California. Before moving to Southern California, she…
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Spotlight Musician: Zohaib Kazi
The Melancholy Streets of Ismail’s City by Asmara A. Malik On paper, Zohaib Kazi’s musical journey seems fairly straightforward, even typical, of the majority…
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The Critics: Tron Legacy
By Khaver Siddiqui Joseph Campbell’s The Hero with a Thousand Faces details the journey of the timeless Hero as he battles his way through…
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Writing Out a Revolution
“It would not do to hurtle through history like somnambulists, not when there is such a consciousness of youth and possibility.” In the wake of the youth-led revolutions in the Middle East, Madiha Ansari argues for the need of quieter, less spectacular revolutions.
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The Critics: Per Petterson
Reviewed by Jacob Silkstone.
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