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Film, The CriticsFebruary 19, 2013

Hello, Oscar: Silver Linings Playbook

by Shamain Nisar

For as long as I can remember I set my alarm for 6 AM, trying to pry my eyes open and sit in front of the TV, in my dark house, with everyone else asleep, and catch the action of the Academy Awards live. Having said that, sometimes I think to myself the Oscars disappoint with the choice of nominations they put forward, or I find awards being handed out to movies I wouldn’t normally prefer to watch or enjoy. This year, I was beyond excited when I learned that Silver Linings Playbook was nominated for almost all major categories.

Silver Linings Playbook was one of the movies I started watching to pass the time, but instead, I found myself smiling so widely at points that my jaw started hurting.
The film tells the story of Pat (Bradley Cooper), who is released from a mental health facility into the care of his parents. He had ended up in there after beating up a fellow high school teacher he had found his wife cheating with. Diagnosed with bi-polar disorder, he refuses to take medication, and is determined to reinvent himself and win his wife back – despite the fact that she had placed a restraining order against him. While having dinner with his friends, Pat meets Tiffany (Jennifer Lawrence), who had lost her husband, had become a sex addict and lost her job. After a shaky start, Pat and Tiffany come to an understanding: Tiffany would help Pat re-connect with his wife by giving her a letter he had written, on condition that he would partner with her for an upcoming dance competition.  Meanwhile, we also learn about Pat’s family and about how his father (Robert DeNiro), had also lost his job and was bookmaking as he was saving up to open a restaurant.

What makes this film an instant hit is the balanced combination of dance, sports and family, but what brings it up yet another notch is the wonderful ensemble cast, including Robert DeNiro, Julia Stiles, Chris Tucker (in a small but hilarious role) and Bollywood’s Anupam Kher. Everyone in the cast adds their little touches to the movie, refining it and making it that much more dynamic and enjoyable. And though the extended cast fully and strongly supports the story, everything would have been a disaster had the two leads not pulled off the best acting of their respective careers (so far). The chemistry between Cooper and Lawrence is what takes the film over the edge. It was refreshing to see Cooper play a not-so-perfect person. Also, I had thought Jennifer Lawrence would never be able to shed her Katniss Everdeen image, but her versatility, her hoarse, throaty voice and her overall interpretation of the character were impressive.

The film has no BIG scenes – it’s made of small moments and an easy going flow. The scene where Pat reads A Farewell to Arms and throws it out the window because of the heartbreaking end, or when Tiffany comes and confronts Pat’s father after he had said she was “bad juju” for his football team, are among this critic’s favorite scenes.

The reason why I’m rooting for Silver Linings Playbook this year is that I think it is definitely a relatable story. Every character, from Pat, to Tiffany, to Pat’s dad, his friend and his wife, is a little off balanced, validating the idea that everyone is crazy in their own way, no matter how well adjusted they think they are. The lead characters are not perfect or larger than life, but instead ordinary screw-ups navigating the little moments in their lives, making one smile in a twisted way, thinking to one’s self “oh yes, I get it. I’ve been there!”

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Academy AwardsBradley CooperJenniffer LawrenceOscarShamain NisarSilver Linings Playbook

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Previous articleLove in the Time of Suicide
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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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