• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Commentary, EssaysMay 12, 2014

A Big Fat Indian Wedding

Artwork by Jamil Afridi

Artwork by Jamil Afridi

By Sanket Mishra

Disclaimer: This story is fictitious and does not bear resemblance to any wedding that the writer has attended in his life. The writer confesses that some of these events may have happened at some of the weddings he has attended either firsthand or secondhand. However, a resemblance to any character or event should still be treated as a by-product of the writer’s overactive imagination.

Life is no fairy tale. You have to fight through numerous failures. Among them: bad grades, college admissions, and weddings of distant friends (or worse, friends of friends). Most people have seen enough Bollywood and/or actual Indian weddings to have a general sense of what the Indian wedding receptions are all about. But here is a slightly over-the-top introduction if you haven’t.

The first thing you encounter at such a wedding is always the overly courteous host. For most of your acquaintance, this guy has started conversations with the trademark irreverence of Behen-daud or Maa ki Ghodi (which is along the lines of something that rhymes with motherducker). But cometh the big day, cometh the effusive exclamations — “I am so happy you came!” – followed by a series of overly enthusiastic hugs. At some point during the elaborate hug ceremony, in which the host goes around hugging everyone who arrived with you, you get a vague omen of things to come. But here, as in all other facets of life, you know you must soldier on.

On any normal day, the “elders” of the family couldn’t find a newspaper if it were right under their nose, but they manage to somehow spot you from a mile away at a wedding.
The second thing that inevitably happens is that, no matter how big or small your group is, there will be one person who fails to turn up. And the host will always notice. It wouldn’t matter if you turned up at the wedding with Sachin Tendulkar himself, the host’s first concern would always materialize as: “Rabi couldn’t make it? How sad. It would have been nice if he had come.” All you intend to reply to that is:”I drove twenty kilometres to your rib-breaking man hugs and forked out a thousand rupees so that your sister could have a nice gift for her special day. And all you want to talk about is that one guy who is lazing around back home with a beer in his hand? Fuck you.” Except what you end up saying is: “Yeah, sad.”

Speaking of gifts, everyone has heard that legendary statement: “You did not have to bring a gift. That is so nice of you.” All you can muster is a feeble, “Arre, no,” while thinking, I didn’t have to bring a gift? Could you not have mentioned that in the wedding card? I spent half my iPad savings on this!

The worst thing about gifts is not the cost, nor the effort you put into choosing them, but the actual process of handing over the gift to the bride or groom. Here is someone you’ve barely ever spoken to, and are hardly likely to ever see again, but for those few minutes of interaction, he/she is your greatest friend, wisest philosopher and ultimate guide. You stand there awkwardly trying to hand over the gift, while ignoring all the self-righteous glances of people waiting to pass on their much bigger presents, while the bride and/or the groom chooses to impart all the worldly knowledge this great moment has given him/her. Here’s how you should live your life. Here’s how to be lucky in love. Here’s everything you’ve been missing and more. At one point, you feel yourself physically resisting every violent urge telling you where exactly to leave the gift, but as we all know by now, patience is key.

In a strange way, the more distant the acquaintance, the more fortunate you’ll be. You are lucky if it is just a friend’s wedding, or that of a friend’s sibling. All hell breaks loose if you have the misfortune of being one of the relatives. You can try all you want to draw as little attention to yourself as possible, but it’s completely futile. On any normal day, the “elders” of the family couldn’t find a newspaper if it were right under their nose, but they manage to somehow spot you from a mile away at a wedding. In the furious decision-making about whether you should touch their feet or opt for a simple Namaste, you settle for an awkward bow as a compromise. All this before the real test: the questions and comments that follow. I would stand a better chance of surviving a life sentence in an Indian prison.

“You have become so thin. Don’t you eat?” (No, I consider it a complete waste of time.)

“When are you getting married? You have reached that age. Don’t we deserve to see a bahu (daughter-in-law) in our house before we depart this world?” (If only I could depart from the world myself right now.)

“Have you selected a girl? Is she Brahmin?” (I don’t even know who you are.)

Once you have braved your way through the interrogation, with the knowledge that there is a light at the end of the tunnel (read “dinner”), you hardly expect the concept to be taken literally. Beware the cameraman who roams round the room, halogen light in hand, trying to catch you mid-bite when you are most oblivious to everything, tearing apart that chicken with violent abandon. Thoughts of following him to the washroom and locking him in do enter your mind. But you resist.

The food itself is a bit of a journey. You invariably end up selecting the worst dishes to eat off the elaborate buffet. On your way back to your seat, people all around you are recommending that great mushroom dish or that amazing fish curry. And all you managed to stuff down was a few overcooked pieces of chicken and undercooked basmati rice.

And as with most Bad Indian things, the worst is saved for last. You cannot leave without being subjected to a formal photo shoot with the overzealous host, the groom with his faux bravado and bride with her artificial casualness that drives a hole through anyone’s heart. Everyone in the group wants at least two pictures: one with the photographer’s camera, and one with their own smartphone or camera. After fifteen minutes of all the fidgeting and retakes and assorted forms of melodrama, you are finally ready to leave.

The host promptly senses your discomfort from your previous bone-crushing hug, and adds an extra bear hug for good measure. “Thank you for coming. This would not have been half as good without you.” As if. Save those words for the groom. And thus an Indian wedding, with all its pomp and circumstance, is survived. And all it takes is a slight Deadening of Living Cells.

 

Sanket Mishra is a Computer Science Graduate who is presently working for a multinational company to feed himself. Writing offers him peace of mind and something to look forward to in life. In his free time, he is known to be a pessimist (bordering on cynic) and has turned roses black just by glaring.

 

Tags

humourIndiasanket mishraweddings

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleDrop it like a Bot
Next articleConsciousness in Literature

You may also like

A SHEvolution is Coming in Saudi Arabia

Paxi: A New Business Empowering Women in Pakistan

Nature and Self

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Spotlight Artist: Jasmine Castillo

“Escape Artists is a representation of my brain’s thought patterns. I love all art forms and have always enjoyed experiencing art on all levels through all mediums.” Noah Klein interviews Jasmine Castillo of the Escape Artists Collective.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
Tarazoo

"I see cracked brown hands/ pick a pair of amrood/ on two stems kissing like cherries." Weekend poem (May 11),...

Close