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Tom Nixon

Arts & Culture, Film, Special FeaturesMarch 23, 2015

Independent I: An Interview With Anam Abbas

By Tom Nixon

We talked to Anam Abbas about her upcoming film ‘Showgirls of Pakistan’, a documentary feature on the lives of dancing girls in Punjab, Pakistan.

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Arts & Culture, Film, The CriticsMarch 19, 2015

Super Bad: The Dubious Tendencies of Judd Apatow

By Tom Nixon

Guest contributor Tristan Marajh questions whether Judd Apatow can be regarded as among the smartest or most compassionate people in Hollywood.

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Arts & Culture, Film, The CriticsMarch 12, 2015

Private Theatre: Video Diary of a Lost Girl

By Tom Nixon

Film critic Chuck Williamson writes on Lindsay Denniberg’s ‘Video Diary of a Lost Girl’, a film “invested in reconfiguring rape culture paradigms”.

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Arts & Culture, Film, The CriticsFebruary 11, 2015

Reinventing the Reel: Foxcatcher

By Tom Nixon

Film critic Michael Dodd writes on Bennett Miller’s ‘Foxcatcher’, the most unexpected omission from the Academy’s Best Picture nominations.

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Arts & Culture, Film, The CriticsFebruary 5, 2015

Reinventing the Reel: Birdman

By Tom Nixon

Michael Dodd writes on Alejandro González Iñárritu’s ‘Birdman’, “a wry look at modern celebrity and the struggle to keep up with an ever-changing digital and fame-obsessed world”.

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Arts & Culture, Film, The CriticsJanuary 24, 2015

Reinventing the Reel: Inherent Vice

By Tom Nixon

Film critic Ben Hynes on Paul Thomas Anderson’s latest, a hazy adaptation of Thomas Pynchon’s ‘Inherent Vice’.

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Arts & Culture, Film, The CriticsJanuary 18, 2015

Private Theatre: Gone Girl

By Tom Nixon

Contributing editor Christine Jin writes on David Fincher’s ‘Gone Girl’, last year’s most hotly debated film.

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Arts & Culture, Film, The CriticsNovember 27, 2014

Reinventing the Reel: Grace of Monaco

By Chuck Williamson

Film critic Chuck Williamson gathers his thoughts on ‘Grace of Monaco’, Olivier Dahan’s much-maligned Cannes 2014 opener.

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Arts & Culture, Film, The CriticsNovember 20, 2014

Reinventing the Reel: Dukhtar

By Ali Zubair

Ali Zubair writes on ‘Dukhtar’, “the latest in a new wave of Pakistani films driven primarily by the vision of filmmakers and their desire to tell stories beyond the usual commercial motivations”.

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Arts & Culture, Film, Special FeaturesNovember 12, 2014

Independent I: An Interview with Charles Pinion

By Chuck Williamson

Film critic Chuck Williamson interviews Charles Pinion — an ex-artist and punk singer turned transgressive filmmaker — about his methods, philosophy and new film ‘Aztec Blood’.

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Greetings from the future!

 

With COVID-19 taking the world by storm and news channels everywhere hitting us with waves of negativity, we at The Missing Slate recognize the importance of creativity and the arts, especially their impact on mental health. As the world sits indoors and in some areas, cautiously starts to re-enter life, they do so knowing that things might never go completely back to “normal”. That “normal” is the watchword.

 

Over the coming weeks, long-time readers will notice things starting to change as the magazine pivots focus and direction. But we’re getting ahead of ourselves. For now, we can say only that we’re coming back. That we’ve been hibernating for long enough and that the world needs some positivity and reasons to hope amidst all the doom and gloom.

 

Stay tuned!