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Fiction, LiteratureJanuary 17, 2014

Antidote

E

Why do I think of us in terms of the saint and the whore, Ekleel? Why do I ascribe virtue to your image, expect it like wedding attendants in Egypt’s countryside anticipate a white kerchief stained with the bride’s virgin blood as the ceremony’s culmination? Perhaps it’s the imprint my rearing left on me—a stain, a birthmark—which puts a depraved face on all forms of indulgent desire. I and so many of our generation try to convince ourselves we have been inoculated against the biases of our culture through our education. We stand before mirrors, painting on faces like “objective” and “liberal” so painstakingly so as to deceive even ourselves. And yet, a shadow or a variation of that which we despise, endlessly criticize and assign as the flaw in society’s intellect always lurks. In its most apparent form, you can catch it in our idea of “mother”: sacrificing, nurturing, kind and morally incorruptible. How many of us acknowledge lust and longing in our mothers? How many see it and accept it as the equivalent of that of our fathers’?

You can see the glaring discrepancy now, can’t you? For even as I prance around from bed to bed, relishing my sexuality, I fail to regard it as a pure expression of instinct. It is the same as the hunger we took part in as teenage girls, Ekleel, desperately wishing to minimize the space we occupy, to shape it into a delicate form like petit-fours. Is there anything we fear more than formlessness? You have succeeded in mastering asceticism while I—ever the bulimic—remain buckled-in on the Ferris Wheel of binging and purging, shame producing self-loathing producing abstinence producing gluttony on loop. It may be that I set you up on a pedestal only comparatively, because I see myself as the toxic or it may be that I still look, yearn to see someone who found the road to their light. Any success at all, Ekleel, whether holy or demonic. At my core, a need to hold on to even a hint of Utopian principles like selfless friendship and unconditional love struggles to survive. You are the one in whom I hope to find them. The log, the lifeboat, the lowered rope.

F

How can I describe to you the immensity of such suffering?
Let me take you to yet another memory: I’m lying in bed looking like a deflated balloon. I want nothing but to lose awareness. I want nothing. I haven’t left my room in days. I’ve missed classes, deadlines, phone calls. I’ve missed out on enjoying the “best days” of my life again. What does that even mean anyway? So much of media, literature and art is so intent on youth and everything you should, you have to, you’ll never reclaim if you don’t fucking do while you’re still young. But no one teaches you how to make compromises or pick specifics. Futile, I tell myself. Everything we do to make the spring of our life last longer will only amount to nostalgia keeping us company during chemo sessions when we’re old and wilting, I comfort myself.

Because I cannot even contemplate the effort required to rise. Day turns to night to day. Mother comes in and begs me to get up, places her hand on the top of my head while reciting Quran verses: Muslim exorcism. Father tells me to stop self-indulgently sulking. He says I ought to pour my “dramatic flair” into something productive. I am conscious of nothing outside my being.

How can I describe to you the immensity of such suffering? How it creeps in while you’re asleep and when you wake up, the world is devoid of all color and meaning.

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Abdullah QamarEgyptfictionNoha Al-BadryStory of the Week

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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