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MagazineFebruary 15, 2014

The Bus

What made her keep smiling? He stripped her of all her possessions and her makeup. He shredded her clothes. He sold her jewelry. He pulled her hair and cut it off with a knife. Her locks fell like mutilated snakes twisting on the floor, letting her scalp shine through.

And now? She got up. She came back with a broom and a bucket. She swept. She washed the floor. He saw her smile glide over her shorn head and slide down her back. Why didn’t she scream? Why didn’t she cry, complain, beat her head against the wall or some hard object? What enabled her to stand up to him? What gave her this power, this tyranny? She would kill him if it went on like this! She would be the end of him.

And now? He abandoned her. He kept her away from his bedroom. He made her sleep on the floor. And her smile, which he didn’t see, pursued him and came to his dreams in the form of demons. Like the sun. Like fire. Like a genie. Until it stole his soul and destroyed him.

One day, she made tea for him at his request. It tasted bitter. He grew angry and cursed her. He looked for more sugar but didn’t find any. He said he was going out to buy some, that he might be gone for a while to visit some friends. And he went out. He didn’t lock the door. He dug carefully and set the trap for her. Then he went away and hid, watching from afar.

Why didn’t she scream? Why didn’t she cry, complain, beat her head against the wall or some hard object? What enabled her to stand up to him?
And now? The door remained fixed in place. For minutes. She didn’t appear. He began to feel reassured. Then he was afraid and waited some more. And the door opened. He smiled in joy at what would emerge. And she came out! She fell into the trap! She remained standing on the patio under the walnut tree. Frozen in place. He didn’t see her eyes or the direction she was looking. What made her stand like that? Had she come out to get a breath of fresh air? Of course. And what harm was there in that? Where was the fault? He walked away. He stopped, doubtful. Hadn’t she gone out to see someone? For someone to see her? Who? He turned around and ran until he reached the house.

And now? She was seated in front of the mirror. In her hand was a green walnut shell that she was rubbing on her puckered lips. Her mouth became scarlet like an aged red wine. She hadn’t betrayed him. And here she was making herself up for him. She was alone. There was no fear in her eyes. No shadow of disturbance or surprise. He approached. He kissed her. She jumped and drew away. He approached and grabbed her. She stood, frozen in his hands. Cold, like ice. He blew his hot breath upon her. She didn’t smile. He asked, “So who were you making yourself up for then?” She didn’t say she was making herself up for him, that he was her husband, whom she desired and loved. Her tears flowed down. He slapped her. He struck her again. She stopped crying. He was powerless. Was she provoking him? “Who was it for then, you whore, if not for me?” He started hitting. Perhaps she would utter a word or a groan, or cry out to protest her innocence, with a complaint, with some curse. At least let her say something! He kept hitting her until she was covered all over with a deep crimson, like her lips stained with the walnut.

And now? It was finished. She lay stretched out in a pool of red. Her ears and mouth were bubbling blood like a fountain. It subsided. It died away. Fate and chance. Destiny. It was fated for her to die at his hands. And if she had been innocent, he would not have been struck blind, and he would not have started beating something that seemed like a ball between his hands. He would have found a reason, just once, for that smile of hers.

And now? Tomorrow they would suspect him in connection with that lopped-off head. There was no doubt. Hadn’t he already committed an act of murder? How would he make them understand? They would add, “Someone who kills his wife because she puts on makeup might kill a man because he doesn’t like how he looks.” He would answer, “If you were in my shoes, you would have done exactly the same thing. I don’t regret what I did. It was the hand of fate that chose me to carry out her destiny. Indeed, I don’t regret it. Prison is no shame. Prison makes a man.”

They set me free. And they kept that lunatic who drove me crazy with his talk about “the struggle.” If he only knew I had adopted his stories, he would have been happy, rejoicing and thinking that my getting out of prison was like him getting out. He made me miserable with stories about his friend, Jameel the Baghdadi. I learned them like the back of my hand. I made these hypocrites listen to them as though they were scribbled on my palm or engraved on the open book of my memory. What’s the difference? What I said wasn’t a lie, even if I was lying. Even if the other guy was lying and fabricating all his military exploits in “the struggle.” What fault is it of mine that they believed me?

I lied. And they believed me! They honored me! They left me alone! If I had confessed the truth to them, would they have treated me that way? No, by God! People are scorpions. As soon as you trust them and reach your hand out to touch them, they jab you with poison.

And now?

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digital editionIssue 11LebanonLuke LeafgrenNajwa BarakatWinter Issue

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Trackbacks

  1. The Best of New Lebanese Writing: Reading Lebanon, Reading the World « Arabic Literature (in English) says:
    February 16, 2014 at 7:09 PM

    […] The Bus Najwa Barakat, trans. Luke Leafgren […]

  2. New Releases: 14 Arabic Translations to Watch for this Fall | Arabic Literature (in English) says:
    September 29, 2014 at 9:29 AM

    […] Luqman, the novel’s protagonist, is a young former militiaman, trying to make a living in a post-war Lebanon. While you’re waiting on Oh, Salaam!, read an excerpt from another of Barakat’s novels, also trans. Leafgren: “The Bus.” […]

  3. ‘Oh Salaam!': Is Change Possible in Post-war Beirut? | Arabic Literature (in English) says:
    April 21, 2015 at 9:48 AM

    […] “The Bus,” also trans. Leafgren […]

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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