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Literature, PoetryJune 14, 2015

The Way I Learned to Ignore

Behind Closed Door 12 by Saqib Mughal. Image Courtesy: ArtChowk Gallery

Behind Closed Door 12 by Saqib Mughal. Image Courtesy: ArtChowk Gallery

                This was a time when
I dared not kill insects in graveyards,
nor wander around dark corners at night,
when shadows roamed
the space between my loneliness

and longing
to be loved.

My grandmother feared ghosts. I mocked her.

Alone, I learned that despair is a graveyard.

Like her, I sprinkled salt after dark
sprinkled Psalms
each verse a charm
for vanquishing
                the kind of ghosts
who, like rain, seep into crack-riddled homes.

On many restless nights I stared at the ceiling
watching my rage hammer dents into zinc
                        catching the rust of weathered nails
                        on my tongue.

At fourteen I craved simple things:
my parents talking tenderly to me,
syllables soft as Q-tips,
                and always with their hands around my neck
                        fingers intertwined
                        like an amulet.

There was a stream in the valley behind my house.
There, I baptised my needs in the shallows
and hummed a sadness stretched and deep.

It was the way I learned
                        to ignore;
                        with a calm so still,
it could have been the eye of a hurricane.

~ Juleus Ghunta

Juleus Ghunta is a Jamaican. He has a B.A. in Media from the University of the West Indies, Mona (2010). His poems have appeared or are forthcoming in BIM: Arts for the 21st Century, Bookends (Jamaica Observer), Poetry Pacific, Susumba’s Book Bag and Poui: Cave Hill Journal of Creative Writing.

Tags

Caribbean poetryJuleus Ghuntapoetryweekend poem

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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