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Literature, PoetryMarch 28, 2016

Six Ethiopian poets of the diaspora

Amha Asfaw

Childhood photograph of Amha Asfaw, courtesy of senamirmir.org

Childhood photograph of Amha Asfaw, courtesy of senamirmir.org

Silence

Silence is golden, say my countrymen.
A bug would not enter a closed mouth, say my countrymen.
They have not seen America,
a land where silence is synonymous with laziness
and a quiet man is considered ignorant.

A candle in a jar

Do not deceive yourself
that you are a candle in a jar:
a candle gives off light.
Do not deceive yourself
that you are a glowing ember:
embers burst into flame.

Do not deceive yourself
saying “we are the ashes left by a fire”:
you never burnt like a fire.

You do not have the fuel.
You do not have the oil
which is the source of all light.
You do not have it in you.

~ Amha Asfaw, trans. from Amharic by Getatchew Haile

Amha Asfaw was born in 1949 and has lived in USA since 1974. He is a physicist working as research instructor and programmer at University of Missouri, Columbia. He has translated poems of Langston Hughes into Amharic. His latest collection is ‘Yilalla Denebo’, the title of a funeral lament.

Getatchew Haile is an Ethiopian-American philologist, widely considered the foremost scholar of the Ge’ez language alive today. His awards include a MacArthur Fellows Program “genius” award and the Edward Ullendorff Medal from the Council of the British Academy.

Editor’s note: This translation first appeared in Diaspora 15: 2/3, 2006: ‘Amharic Poetry of the Diaspora in America: a Sampler’

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Alemayehu GebrehiwotAlemtsehay WodajoAlemu Tebeje AyeleAmha AsfawAmharic poetryChris BeckettGetatchew HaileHama TumaLena Bezawork GrönlundpoetryThe secret world of Ethiopian poetrytranslations

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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