• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureFebruary 10, 2017

Twenty Steps

That life had suited Rosa very well. The girls tried to make up for their awkward bodies with polite, respectful mannerisms that gave an impression of refinement. When they argued they danced, evolving into their monstrous limbs like birds as they fought. Most of the time, though, they were kind to one another. And they were careful to conserve their strength. They saved everything: their energy, their small change. Because they could hardly believe their success as sexual objects. And their farewells to their clients were remarkably sincere, with all the melancholy of a lovers’ adieu. And the men, as well having a strange liking for imperfections, felt somehow drawn to that polite atmosphere in which even the worst profanities carried within them a maternal murmur.

 

Of all the girls, Rosa was the least sweet because she didn’t need to be; she had more important skills. “You’re our salt and pepper,” her Dad would say. The other girls were grateful to Rosa for accepting the more unusual work so they didn’t have to. They knew nothing but the city. Even if they came from other towns, they still knew nothing but the city, that is, nothing but houses and concrete. They found some of the more sordid requests disgusting. Rosa, on the other hand, had been used to going barefoot into the animal pens on the farm and reaching inside goats to pull out their dead young. She didn’t mind stickiness or bitterness or decay. And her tough skin could cope with pinches and other far more brutal treatment. “You’re our salt,” her Dad used to say. “Our pepper.” One thing Rosa could not endure, however, was boredom. Life there was varied enough to keep boredom at bay.

Of all the girls, Rosa was the least sweet because she didn’t need to be; she had more important skills.

Her Dad’s business was going well. In fact, it was going too well. It was attracting unwanted attention. He was invited to become a business partner in his own brothel, and the indignity of it almost made him ill. Lucia the dwarf burst into tears before he’d even mentioned the ultimatum. He railed against the cruel injustices facing the poor on this earth. He was on the verge of becoming a communist, but then turned to the Bible instead. Not long after that, the building burnt down.

The building had some security in place, but there were weak points. A balance had to be struck: too much attention paid to visitors’ comings and goings would have caused problems. And so, through the cracks in the minimal security, the fire got in. And although nobody was killed, their Dad’s spirit died in there. No one could console him.

They lived in the boarding house like refugees fleeing a war zone. They all thought it was just a temporary crisis. Sometimes their Dad made grand speeches in which he called for a revolution. “Freedom, what freedom? Whose freedom?” he cried. “We’re living in a Hollywood movie, that’s what’s going on.” He sat on the bed surrounded by his dependents: a dwarf, a girl with an open wound on her leg, another with webbed hands and Rosa, the cripple. He had aged. One day, he came back with no gold chains, no bracelets, no watch. And yet instead of seeming lighter, he was bent and stooped. It wasn’t just his possessions he’d lost, it was his clients and friends. He was trapped in a Hollywood movie, and around every street corner lurked the shadow of a murderer. They were going to kill him and take the girls. The father gave the four girls everything he’d saved, down to the last cent, then he said: “There’s always a showdown,” and never returned.

 

Rosa and the girl with webbed hands moved into a single room together to save on rent. But the girl with webbed hands was hardly the most restful of roommates, and Rosa wasn’t content there either. The landlady, who always felt guilty about something, was simultaneously awkward and helpful in the way such people tend to be, and sorted out the paperwork for them to get their charity handouts. “No, that’s not what it’s called,” she corrected herself. But the right word sounded strange, and besides, said Rosa, things hadn’t changed as much as all that. “It’s up to the State now,” the landlady explained. Which rather reduced the importance of her own efforts. “The State’s grateful to people like me,” she added hastily.

Continue Reading

← 1 2 3 View All →

Tags

Annie McDermottfictionHélia CorreiaOleksandra SkulinetsPortugueseStory of the Weektranslations

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleThe Worst Ghosts
Next articleFrom ‘Petra’

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

from ‘Intimations’

“…this one book I have been writing/ in canticles kwéyòl/ dancing lines of lakonmèt and weedova/ their violons and chak-chak in my ear…” Poem of the Week (January 13), by John Robert Lee.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
The Worst Ghosts

"Define in, I say when anyone asks/ if I’ve ever been in a war..." Poem of the Week (February 8),...

Close