• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureMarch 24, 2017

Thirteen

The GAZelle stopped in the village, right near the stands full of autumn fruit, and the passengers got out. A few vans just like theirs, painted a pale yellow color, stood by the roadside. Their drivers, standing in a semicircle, quickly greeted their newly arrived sunburnt colleague. The red-cheeked woman and her daughter were already walking between the multicolored rows, and the lady in the drab jacket with the glasses was telling the young man in baggy pants about how the old local mosque was built:

“Just imagine, they brought in the stones from Akusha on donkeys. It took them a whole year to lay one row of stones around the perimeter.”

The guy in baggy pants nodded, looking now at the turquoise sky, then at the old lady, feeling the rounded coppery melons. The others disappeared into the crush and noise of Hadjal-Mahi. The bearded one in the skullcap grabbed an empty plastic bottle and ran over to the spring, the man with the leather case disappeared behind a house under construction, pressing his ear to his phone and quickly yelling something, while the unshaven one simply dissolved in the warm air. On the roof of the house under construction, a man in work clothes wearing a metal visor leaned over the jets of sparks from a hissing welding torch. Metal sheets rattled somewhere in the house, and behind the bazar, in the courtyards that descended toward the river, where the wedding train had just gone, the sound of a loud lezghinka rose. Only the red-haired man stayed in the GAZelle, looking out the window at the general commotion.

 

About ten minutes later, the passengers started to return to their seats; they stuffed bags full of fresh fruit underneath and rode on. The driver, refreshed by a cheap cigarette, water and jokes with his colleagues, was messing with the tape-player.

“We gonna get there by one?” asked the man with the briefcase.

“Of course.”

He chuckled, remembering how much he’d had to slip the highway patrol.

About ten minutes later, the passengers started to return to their seats; they stuffed bags full of fresh fruit underneath and rode on.

The GAZelle moved in the direction of the Huppinsky pass, overgrown with pines, beyond which the Dargin villages gave way to the high, mountainous region of Avaria. It smelled of hawthorn, St. John’s wort, creeping thyme, and sage. The woman in the evening dress quietly counted the money in her wallet. The girl, who had moved to another seat, was dozing, her glued-on eyelashes lowered. The old lady was whispering something to the young man in the baggy pants, and he smiled.

“Maybe I should have given the papers to Halilbek myself,” the one with the briefcase thinks, scrolling through the contacts on his cell. “No, he wouldn’t accept a request from me. Everything’s fine. I sent it through Hizriev, and Hizriev can figure it out for himself, they’re relatives, after all.”

The old man hid his defenseless smile, gazing thoughtfully at the pines that were coming into view along the roadside. He imagined staying in the regional center with his friend, drinking dry wine with him, then going to his little village the next day, to the house hidden in the dewy green on the shady side of the mountain, opening the gate made from the headboard of an old bed and going down into the garden, and there, under the walnut tree, playing backgammon with his neighbor.

The bearded man pressed his forehead to the dusty glass, trying to escape from the trap of his thoughts. “Bring the medicine, then come back and don’t tell anyone, they’ll find out anyway… The local cop is going to start putting a case together. They made Alishka an invalid and they’ll make me one too… No, got to deliver the medicine, then leave home… Or should I? I’ll go to Uncle Osman now, maybe he knows where I can go… Or should I? Uncle Osman isn’t the type to just up and do whatever you want him to, and if I do go, that Abdulla will say it’s kufr…”

“I brought Aishatkina’s son a wedding present, and a present for Patya… Vaya-ya-ya, need to extend my condolences to Zaira, I haven’t seen her since then…” spun around in the head of the woman in the evening dress, and the woman next to her thought “I’ll ask Rusik’s son to take me to the tower. I’ve been coming for years and I’ve never been to the tower. I’ve got to take a picture and show it to Murad Muradovich. Maybe it really is made of church stones…”

The narrowing road smelled sharply of ozone, cones, and the late summer that had just been awakened. A little hare darted across the GAZelle’s path, an invisible bird jabbered indistinctly. The red-faced woman’s daughter smiled shyly into her fist.

Continue Reading

← 1 2 3 View All →

Tags

Alisa GanievafictionIsaac Stackhouse WheelerRabeya JalilRussianStory of the Weektranslations

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleТринадцать
Next articleAloud

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Lahore

“So hurry, dye those duppatas, dot those elegant paisleys,/ So place those fraying jasmine wreathes/ round delicate wrists…” Poem of the Week (September 2), by Rakhshan Rizwan.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
Тринадцать

Original Russian text of Alisa Ganieva's 'Thirteen'.

Close