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Commentary, EssaysOctober 7, 2013

Letters to Strangers: Sacred Spaces

By Maria Amir

Artwork by Babar Moghal

“The Guide says there is an art to flying,” said Ford, “or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”  – Douglas Adams, ‘Life, the Universe and Everything’

I’ve never really considered my life in the context of time and space before. For the most part, I tend to view existence as a series of consequences and my reactions to them. These days, however, I find myself seriously contemplating the subtle dynamics of the time-space continuum… not so much in commonly contrived Trekkie terminology involving cylindrical beams of light, but rather as my own personal bubble of actions, reactions and timing. If I think about it hard enough, I can easily divide the past ten years of my life into alternative spikes and pitfalls on a sonogram. I’ve peaked in some years and plummeted in others.

I wouldn’t exactly call it a balance but it helps keep perspective. I am presently enjoying the idea of a personal reboot. Every time I find myself facing a large group of people sitting and listening to me speak (and not falling asleep), it is a colossal validation of something I can’t quite capture anywhere else in my life. It feels rather powerful and I suppose that is somewhat perverse. I never really saw myself as a teacher before, mostly because I haven’t really considered anything I know worth teaching. Still, it is proving to be an odd form of release… almost as if one is able to forego personal ambition without experiencing guilt. There is a colossal sense of relief in this, given that I was never much good at self-actualization. Teaching offers up the chance to feel ambition on behalf of other people, wanting, even craving their success without having to worry too much about ones’ own anymore.
It is the least selfish I have ever felt.
It is also the most free I have ever felt.

I’m not quite sure what it is I want anymore but I do feel that I am finally in that particular personal time-space continuum that relishes moving forward. 
I find myself suddenly absolved of the weight of ‘perfection in possibility’ leaving behind simply… possibility. I am finally contemplating writing my novel and just writing in general because I am no longer terrified of not being good enough to meet my own standards. I am finally willing to let others judge me and I am able to not collapse under their criticism. I suppose that is the greatest lesson I could have learned in the last year and it seems to finally be sinking in somewhat.

More recently I find myself contemplating sacred spaces. Crusty crevices marked in my day that I cannot quite capture but that might prove golden if only I could hold on to them long enough to let them be born. As it is, they are mere figments, conceived and aborted during my breakfast coffee or as I return to my office from class. I find all my good ideas, gentle hopes, idle quests melt away into one giant sieve of “wanting”. I’m not quite sure what it is I want anymore but I do feel that I am finally in that particular personal time-space continuum that relishes moving forward. I suppose it was a long time coming. Do you have that? That sweeping knowledge that you managed to think at least a dozen epic thoughts before lunch but that they’ve all dissolved by dinner? In Sanskrit they call it Bhrantapratavakavakya, the room into which we go on putting our hopes and dreams and desires. I can’t help thinking that at some point, it is beyond time we started looking for a key to the door, rather than an extended lease that allows us to add on more space to its piling proportions. Perhaps carpe diem is the order of the day
… or at least this day.

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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