Private Theatre: Oslo, August 31st
Senior film critic Tom Nixon revisits Joachim Trier’s haunting sophomore film about a recovering drug addict.
Read MoreSenior film critic Tom Nixon revisits Joachim Trier’s haunting sophomore film about a recovering drug addict.
Read MoreSenior film critic Tom Nixon writes on two destined-to-be-dismissed vampire comedies with melancholy undertones.
Read MoreSenior film critic Tom Nixon writes on one of this decade’s finest melodramas.
Read MoreSenior film critic Tom Nixon writes on why Kelly Reichardt’s Meek’s Cutoff remains one of the best films of the decade so far.
Read MoreSenior Film Critic Tom Nixon mounts a defense for the much-maligned Cosmopolis in anticipation of David Cronenberg’s upcoming film Maps to the Stars.
Read More“Film is the buzz-word right now in the Caribbean.” Senior Film Critic Tom Nixon interviews Davina Lee, one of St. Lucia’s top filmmakers, about her new film The Coming of Org.
Read More“Women are denied agency, defined only in relation to the active gaze of the male viewer, or male characters with whom the viewer is encouraged to relate,” writes Senior Film Critic Tom Nixon in the Winter 2014 issue.
Read MoreSenior Film Critic Tom Nixon argues that Zach Clark’s christmas comedy White Reindeer becomes even more relevant as we settle into the new year.
Read MoreFilm Critic Tom Nixon writes about Harmony Korine’s ‘Spring Breakers’
Read MoreJust as trick-or-treaters start rolling into town, Tom Nixon talks about Halloween and the evolution of its “heroes” in the past decades.
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