Passage Through the Zone
Fear of the new and unexplored take center stage in this essay by Senior Film Critic Rhea Cinna on Andrei Tarkovsky’s Stalker.
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The Man of Propaganda
The Missing Slate’s Jay Sizemore on how film can suffer when pandering to an often unknowing public.
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A Whiff of the TIFF: Errol Morris’ The Unknown Known
Our TIFF 2013 column returns with Daumoun Khakpour’s review of Errol Morris’ The Unknown Known.
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A Whiff of the TIFF: Sorrentino’s The Great Beauty
Daumoun Khakpour lets you have another whiff of the TIFF, discussing Paolo Sorrentino’s latest film The Great Beauty (La Grande Bellezza).
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A Whiff of the TIFF
In the first in a series of features covering the Toronto International Film Festival, Contributing Editor Daumoun Khakpour shares his first impressions on this year’s festival.
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Private Theatre: The Act of Killing
Tom Nixon reviews Joshua Oppenheimer’s extraordinary project, The Act of Killing.
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Private Theatre: Neil Jordan’s Byzantium
Rhea Cinna reviews Neil Jordan’s melancholic and strangely extravagant Byzantium.
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Baudelaire and Cinema, Part II: Temperament
Film Critic Marcus Nicholls applies Baudelaire’s principles of art criticism to F.W. Murnau’s Nosferatu, a Symphony of Horror and Werner Herzog’s Nosferatu, the Vampyr.
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Private Theatre: Werner Herzog’s Cave of Forgotten Dreams
Rhea Cinna talks about Werner Herzog’s documentary, Cave of Forgotten Dreams.
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Private Theater: Hirokazu Koreeda’s Hana
Hirokazu Koreeda’s Hana tells the story of a samurai who sets out to take vengeance on his father’s killer and finds a new life for himself throughout his journey.
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