Private Theatre: Vamps & Only Lovers Left Alive
Senior film critic Tom Nixon writes on two destined-to-be-dismissed vampire comedies with melancholy undertones.
Read MoreSenior film critic Tom Nixon writes on two destined-to-be-dismissed vampire comedies with melancholy undertones.
Read MoreSenior film critic Tom Nixon writes on one of this decade’s finest melodramas.
Read MoreFilm critic Jay Sizemore on why Wes Anderson’s latest is “easily the best film of 2014 so far”.
Read MoreSenior film critic Tom Nixon writes on why Kelly Reichardt’s Meek’s Cutoff remains one of the best films of the decade so far.
Read MoreFilm critic Jay Sizemore is less than impressed with the trend of adapting video game franchises for the movie screen.
Read MoreSenior Film Critic Tom Nixon mounts a defense for the much-maligned Cosmopolis in anticipation of David Cronenberg’s upcoming film Maps to the Stars.
Read MoreFilm Critic Jay Sizemore casts his cynical eye across Hollywood’s sorry mid-March lineup… from a safe distance.
Read MoreContributing editor Christine Jin discusses the controversies surrounding Abdellatif Kechiche’s Palme d’Or-winning romantic drama.
Read More“I think people often conflate gender expression with gender identity, or transgender experience with drag.” Film critic Chuck Williamson talks to Gabrielle Burton about her upcoming documentary Kings, Queens, & In-Betweens.
Read More“Film is the buzz-word right now in the Caribbean.” Senior Film Critic Tom Nixon interviews Davina Lee, one of St. Lucia’s top filmmakers, about her new film The Coming of Org.
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