Reinventing the Reel: None Of The Above
Film Critic Jay Sizemore casts his cynical eye across Hollywood’s sorry mid-March lineup… from a safe distance.
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Private Theatre: Blue Is The Warmest Colour
Contributing editor Christine Jin discusses the controversies surrounding Abdellatif Kechiche’s Palme d’Or-winning romantic drama.
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Independent I: An Interview with Gabrielle Burton
“I think people often conflate gender expression with gender identity, or transgender experience with drag.” Film critic Chuck Williamson talks to Gabrielle Burton about her upcoming documentary Kings, Queens, & In-Betweens.
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Independent I: An Interview with Davina Lee
“Film is the buzz-word right now in the Caribbean.” Senior Film Critic Tom Nixon interviews Davina Lee, one of St. Lucia’s top filmmakers, about her new film The Coming of Org.
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Trash-Horror Ephemera: The Films of Chester Novell Turner
Film Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good†and “bad†lose all meaning.
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Reinventing the Reel: The Monuments Men
Film Critic Jay Sizemore wonders whether George Clooney’s passion for his new project The Monuments Men proved to be its undoing.
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In Praise of Shadows: Tanizaki and Horror
Contributing Editor Marcus Nicholls applies the ideas of Jun’ichirÅ Tanizaki to a comparison of Western and Eastern horror cinema.
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Szilárd Borbély 1964-2014
“Your humility, your generosity, and your humanity… almost seemed too profound and too delicate for this age.” In memory of Szilárd Borbély (1964-2014).
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Reinventing the Reel: Robocop
Our disappointed film critic Jay Sizemore gathers his thoughts on one of the worst attempts at a franchise revamp he has ever seen.
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The Gaze of the Voyeur
“Women are denied agency, defined only in relation to the active gaze of the male viewer, or male characters with whom the viewer is encouraged to relate,” writes Senior Film Critic Tom Nixon in the Winter 2014 issue.
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