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Fiction, LiteratureOctober 10, 2014

The Forest

 Artwork by Nicholas Walton-Healy

Artwork by Nicholas Walton-Healy

By Ikramullah

Translated from Urdu by Faruq Hassan and Muhammad Umar Memon

The sun had already set, and the evening grey was darkening everywhere when the bus stopped at a clump of trees. He got down, his cotton shal­war stiff with laundry starch and rustling. The conductor of the bus shouted to the driver, “O.K. Go!” and the creaking bus moved on. The light spilling out from the open door moved along beside the bus. He stared at the receding rear end of the bus where a black, cast-iron steplad­der extended up to the roof. Through the rear window he could see the backs of his erstwhile bus-mates’ heads wrapped in grimy, worn-out tur­bans and drab kheses (shawls) of faded colors. They were all looking straight ahead and bouncing up and down. He was standing alone on the side of the road. The bus had disappeared from view leaving behind traces of dust and smoke in the air. In front of him, ripening crops rolled out as far as he could see, and beyond them stood the forest with its arms spread out from one end of the horizon to the other. In the misty darkness of the evening, the forest seemed like a huge black wall that reached all the way to the sky. Except for the birds hurrying off towards the forest, the entire scene looked like a still picture. He urinated on the roots of a tree and lifted the bundle containing gifts—or, rather, the material expression of his feelings—for his mother, father, brothers and wife-to-be onto his shoulder. Going down the slope of the road he alighted on the narrow dirt-path. In an hour he would be at the forest’s mouth, and after crossing through it, which would take a good two hours, he would see his village straight ahead.

He was now standing before that endless wall. The trail was rushing headfirst into the forest like a snake into its pit.
Dogs began to bark. Suddenly, images of houses popped out of the darkness and stood facing him. Had he reached his village already? With­out going through the forest? Rows of closed doors stood blind and mute on both sides of the deserted street. An air of desolation hung everywhere. He walked along thoroughly dumbfounded, his feet sinking in the thick dust on the ground. Wherever he set his foot a small cloud of dust raised its head in an attempt to chase after his feet and then became suspended in the air. Any one of these inhospitable and cheerless doors could be his. Why not knock at one? A shop in the village square was still open. Inside, in the flickering light of a clay-lamp, sat a shadowy figure. He seemed to have been sitting there in silent immobility for centuries, his eyes forever glued to the ground. Was he alive or not? One couldn’t be sure from that distance. Perhaps he should have a look to check whether the man was dead or alive. But he walked on thinking: “Dead or alive, what’s the dif­ference: if alive, he will ultimately die one day; and if dead, there’s noth­ing I could do about it.” As he approached the last house he saw a man wrapped in a white shawl coming toward him. When he passed him he heard a voice:

“Stranger! Stranger!”

His feet stopped and he turned around. The same man stood facing him some ten feet away.

“You talking to me?”

“Yes. Where are you heading?”

“The far side of the forest.”

“Someone unfamiliar with it can hardly find his way through it even in the daytime. You want to go through it at night?”

“I’m no stranger to the forest. I have known its every leaf since child­hood.”

“Listen. This is the last village before the forest. There isn’t any other where you may be able to find rest. Stay here for the night. You can go wherever you’re headed in the morning.”

“No, don’t worry. The moon will be out soon. I’ll have no trouble finding my way.”

“The place is treacherous.”

“Not for me. I know it well,” he said and moved on.

“Don’t be so stubborn. Do as I say.”

He ignored the man’s words and continued down the dirt-path that meandered through the fields. The other man watched him move further and further away, struggling with the impulse to make one final attempt to dissuade him before he had disappeared from sight altogether, but couldn’t find the courage to do so.

He was now standing before that endless wall. The trail was rushing headfirst into the forest like a snake into its pit. He paused at the mouth. The wall had shrunk down to the space of a few yards on either side of him because of its nearness. Dark silent trees, their branches hopelessly tangled above their huge trunks, stood immediately in front, and a mas­sive dark cloud of leaves hung poised above his head. He wondered about the changes that might have occurred in the forest in the last three years. “Perhaps it would be better if I return to the village I just left.” He felt the firm surface of the trail with his toes and found in his feet the impatient energy of a headstrong horse. The old sensations of the path came flood­ing back to him: “Why, it’s the same old trail. I know it very well. Even in the old days it entered the forest at exactly the same point, went straight through and came out. To that extent at least there had been no change. Anyway, whether there has been any change or not, what could be gained by taking an unnecessary risk? What used to guide me through the forest at night was my ‘sixth sense.’ I won’t venture too far, just far enough to see whether it’s still working.”

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Faruq HassanfictionIkramullahMuhammad Umar MemonNicholas Walton-HealyStory of the WeektranslationsUrdu

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April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

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