Naiyer Masud" />
  • ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureNovember 21, 2014

Resting Place

2

Artwork by Mohsin Shafi

By Naiyer Masud

Translated by Muhammad Umar Memon

All my past life is mine no more;
The flying hours are gone,
Like transitory dreams given o’er,
Whose images are kept in store
By memory alone.

~ John Wilmot, Earl of Rochester
from ‘Love and Life’

Zamaana gasht, to ham gard su’e khaana’-e kheesh.
(Time has turned; you too turn back home.)

~ Mirza Gada, ‘Ali Gada’
from the elegy ‘Imam-e tishna-jigar ne pas az namaaz-e ‘ishaa’

 

I’m exhausted now, or rather, I think that I had already become tired a long time ago, perhaps after I had been assured that I had no need to go elsewhere and that I was to stay in this house from that day onwards. I do recall vividly though that I felt full of energy when I first set foot in this place.

1

The house’s façade had caught my attention. When I stopped to look at it, my glance fell on the garden in front and I walked in through the gate. I proceeded towards the façade looking at the garden over a hedge of brambles. A desire came over me to go into the garden and examine each and every patch at length, but just then somebody asked me, ‘Who are you looking for?’

I had started to think of myself as the owner, repeatedly deluded into thinking that I had a guest with me who was being shown around the garden for the first time.
I was standing in front of a large room that formed part of the façade and the person sitting inside the room was looking at me intently. From his posture and expression it didn’t take long for me to conclude that he was the owner, so when he asked me a second time, ‘Who are you looking for?’ I replied, ‘You.’

‘Where are you coming from?’

‘I’ve been wandering around.’

‘Come on in,’ he said, but then came out himself.

‘I was passing by,’ I said, ‘and saw this garden. I thought I might tell you, “Let it be”.’

‘Whatever for?’

‘Everything in it is wild, some of these things are really very useful and not easily found. Please don’t have it torn down.’

‘Yes,’ he said, looking at me with interest, ‘I thought so too: it has certain things that are useful and even rare. But I don’t know anything about them.’

‘It’s no easy job to lay out such a garden.’

‘It hasn’t been laid out, just left to grow on its own,’ he said, then, hesitating a moment, he added, ‘Come, have a look from the inside.’

We went down the two stone steps and came into the garden. I wandered around for a long time looking at the trees, vines and shrubs that grew haphazardly. The owner was walking behind me quietly. Whenever I began to explain something about a leaf, a tree trunk or a root by placing my hand on it, he quickly came up to me and then fell back behind me again once I had moved on. If anyone saw us then, they would perhaps have taken me for the owner and him for the guest; actually I had started to think of myself as the owner, repeatedly deluded into thinking that I had a guest with me who was being shown around the garden for the first time.

Now we were in a dense arbour.

‘You seem to know quite a lot about these things,’ he said.

‘Not about all of them,’ I said, ‘but I do recognize them.’

‘You do?’ he said, a little surprised. ‘So then…’

‘Each one has some kind of effect,’ I said. ‘I know the effect of certain ones, but not others; nonetheless I do recognize them all.’

‘Then tell me about this one,’ he said, lowering a branch that had long, thin leaves.

I told him the name of the tree and added, ‘But I can’t tell you what its effect is.’

Thereafter we started back towards the outer room. Going up the stone steps he turned around towards me and said, ‘You look quite tired.’

‘I’ve been wandering around,’ I replied.

We came to the door of the room in silence.

I saw that most of the seats in the room were occupied. I stopped at the door. The owner went in and took the same seat he had been sitting in earlier. In our encounter so far he had seemed like a rather serious and somewhat melancholy person, but among these people he appeared to be quite cheerful and carefree. Without paying much attention to the clothing or conversation of those present, I surmised that most were guests but some were members of this household.

They were talking about the curios that decorated the room. The owner had apparently forgotten that I was there, but when I turned around to leave I heard his voice rise behind me: ‘Don’t go yet,’ he said, standing near me. ‘Let me finish talking to the guests.’

Turning towards the door he stopped short and said with a smile, ‘You, too, are a guest, in a manner of speaking, but it’s possible . . . All right, I’ll send for you shortly.’ Then he went back inside.

I moved and stood a slight distance from the door. I could see a part of the garden from my vantage. The branches of the small trees that grew side by side in a row in this section seemed to be almost fused into one another, and a broad-leafed vine propped up against one of these trees had risen a bit higher, hanging over it and out past the hedge. I recognized all of them, one by one, but didn’t know, or couldn’t remember, what effect each had.

Finally I sensed that all the guests had left and only members of the household remained in the outer room. After a long conversation one of them got up. He came out and asked me to follow him.

There were four or five people, and each was looking at me with great interest. I remained silent as I stood before their eyes. Finally, the person who had come out for me asked, ‘Where all have you been?’

I told him a little.

‘What all have you been doing?’

I told him a little about that too.

After that they talked among themselves secretively and I occupied myself by glancing at the curios. Then they broke into a loud laugh over something and the owner turned towards me. ‘We want to keep you with them,’ he pointed at the curios, ‘but the trouble is, you’re alive.’

‘These are all priceless objects,’ I said, ‘though each one has something missing.’

‘Even so, should you care to rest here for a few days,’ he said, ignoring my comment, ‘space could be found for you too.’

I had not heard the exchange that took place among them; still it occurred to me that for some reason they wanted to populate an unoccupied portion of the house. And a desire to look at this unoccupied part came over me, so I blurted out that I was ready to rest there for a few days.

‘Come back tomorrow about this time,’ the owner said, and I left.

Continue Reading

1 2 3 4 View All →

Tags

fictionMuhammad Umar MemonNaiyer MasudStory of the WeektranslationsUrdu

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleThe earth had stopped turning
Next articleIn Conversation

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

laws of gravity

“a poet who forgets all his words doesn’t have any weight/ he turns into a straw in the wind./ The wind howls in the howling of the wolves…” By Mohsen Emadi, translated from Persian by Lyn Coffin.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

Read previous post:
Reinventing the Reel: Dukhtar

Ali Zubair writes on 'Dukhtar', "the latest in a new wave of Pakistani films driven primarily by the vision of...

Close