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Literature, PoetrySeptember 16, 2015

Interstice

 Artwork by Alwyn St. Omer

The Flutist, by Alwyn St. Omer. Image courtesy of the artist

I
We did not know
That power does not grow
From the barrel of a clenched fist;
That blackfisted rage
Does not uproot the stripes of the splayed whip
Sunk deep
In the riven flesh of the cracked earth

II

This Sunday in May
An interstice between the season of the cracked earth
And the season of storms,
Signals the threshing of the earth to come
As it must
Every season of the storm

And a storm should come after this reflective pause
This taciturn uncertainty
Of feet unsteady on fractured earth

Nothing devastates more completely
Than when the greening earth of another vision
Crusts inexplicably,
So that we doubt that the vision
Was indeed a vision — not a dream
Blasted unredeemable by the bombs, an invasion
An intervention (call it what you like
It’s the same blasted thing!)
No, nothing devastates so completely
As when those who embody this vision
Entomb it,
As when cardboard philosophers
Obscure the eyes of their own vision…

III

Now, no longer do we seek
To rise across archipelagic peaks
Of small islands;
To stun white suns
Fists raised in an epochal rage

No longer are the years of our youth
A passion of faiths and fires
Felling
Root and branch
Generations of unwitting sins,
Scorching the ground with the naïve didacticism
Of doctrines that seek to seed the earth
And burst upward to a new greening!

~ George Goddard

 

George Goddard was born in Saint Lucia in 1951, and is an industrial relations practitioner and trade unionist.  He holds an MBA from the Cave Hill School of Business, University of the West Indies. His first published poem appeared in the Caribbean literary magazine Link (1970). Since then his work has appeared in the public domain quite sporadically. He is putting together his first collection for publication.

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Caribbean poetryGeorge GoddardPoem of the Weekpoetry

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

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