• ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureApril 13, 2013

The Lost Ribbon

 

I was with him- somewhere in Pakistan – for almost two years.  I sat in that darkened hut, watching the pattern of the sunlight as it slithered from one end of the room to the other, and waited.  In the beginning I was sure someone would come for me.  That they would find me locked up in that hut and take me away from him.  But no one came.  The days crept by:  he’d force himself on me every night, he’d sleep, I’d lie awake, he’d go away in the morning, I’d watch the light seep from the room, he’d return in the evening with four roti he’d bought for my dinner and my next day’s breakfast, and then he’d take me again.  My days were quiet.  I’d stopped crying after the first month or two.  The dark of the hut, the frail shafts of light, became more familiar to me than even my parent’s faces.How could it not: every night he killed them again.

He told me, when he first brought me here, that no one would ever come for me.  He’d say, with great confidence, “You’re probably assumed dead.  All the Hindu girls in your village are, you know.”Then he’d padlock the door, force himself on me, and say, “You’re lucky I found you.”  I don’t recall, for the first few months, having ever really looked at him. But then his pockmarked face began to slowly form itself in my mind; his breath on my neck was sometimes sweet and heavy with hashish, sometimes rancid with tobacco and rotten meat.His eyes were dark, with heavy eyelids and thick eyebrows, the whites of them clear in the mornings but smoky and yellowed in the evenings.  He had a thin, straggling beard – perhaps from his face being scarred – and once, when he came home, a bit of food was stuck in the hairs.  It startled me – in a way that nothing has startled me since – that I reached out and plucked it from his beard.  It seemed to startle him, too.  It’d been many months since he’d brought me to the hut and the tenderness of the act, the utter decency of it, was like a sudden spell of rain:  I no longer knew whether I belonged inside or outside that hut.

A month later I was pregnant.

On the night I went into labor the pain was so intense that I woke him in the middle of night and asked him calmly to get some help.  He looked at me suspiciously but then I must’ve paled because he returned a few minutes later with an old, wizened woman.  She was bent with age, and half blind because she kept screaming for light.  “How do you expect me to deliver this baby with this useless little wick?” she grumbled, pointing at the one candle he placed beside her.

The pain continued until early morning.  I was delirious with it.  The pallet on which I lay was awash in blood.

“You couldn’t see if the sun dropped out of your wrinkled old choot,” he said.

She seemed not to hear him.  “Light, more light,” she shrieked again, “And more water.”

The pain continued until early morning.  I was delirious with it.  The pallet on which I lay was awash in blood.  And the old lady was foul-tempered.  She’d wipe down my brow and scuttle away to check the bleeding then emerge again to complain about being woken up in the middle of the night. “When I was young we didn’t wake the others just for this,” she’d hiss, her gnarled, leathery hands coming up like rain-drenched tree bark when she dipped them in the basin of water.When I whimpered with pain she peered into my face and laughed. “It’ll die, anyway,” she said, “I had thirteen myself.  Only three lived.  All that trouble for nothing.”Towards dawn there were a series of large contractions.  The old woman bent low and whispered again but the pain blurred her voice.  Only her breath reached me, moist and smelling of horse manure and wide, green meadows.  I nearly fainted from the pain when, from a great distance, I heard a tiny cry.  Yours.

The old woman wrapped you in a blanket and rested you on my chest.  “Your Noora is healthy.”

“Noora?” I asked.

“That’s her name.”

“Noora, Noora” I repeated.  I liked the sound, but I’d never heard that name before.  “What does it mean?” I asked her.

She smiled for the first time and it was then that I realized she only had two teeth in her mouth.  All that time with her – as she held my hand and bent over my face – and I’d just noticed.  “Noora,” she said, still smiling though the smile didn’t reach her eyes, “means light.”

She turned and opened the door and it was the first time, since I’d been in the hut, that it was unlocked.  She swung it wide and something like apology swept over her face.  “One of them only lived for a day.  A girl.”  She paused and I thought she might sigh but she didn’t; she wasn’t a woman who sighed.  “Smart, too,” she said, “She knew a day of this was more than enough.”

Continue Reading

← 1 2 3 4 5 6 View All →

Tags

fictionStory of the Week

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleCurried Lamb
Next articleRevenge

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

What is poetry?

St. Lucian poet John Robert Lee asks the ‘What is Poetry?’ question, reaching the conclusion that every poem needs to contain truth, beauty and harmony.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

Read previous post:
gǎn qíng yòng shì :: impulsive and impetuous

Poem of the Week (April 9), by Desmond Kon Zhicheng-Mingdé

Close