Verónica Stigger" />
  • ABOUT
  • PRINT
  • PRAISE
  • SUBSCRIBE
  • OPENINGS
  • SUBMISSIONS
  • CONTACT
The Missing Slate - For the discerning reader
  • HOME
  • Magazine
  • In This Issue
  • Literature
    • Billy Luck
      Billy Luck
    • To the Depths
      To the Depths
    • Dearly Departed
      Dearly Departed
    • Fiction
    • Poetry
  • Arts AND Culture
    • Tramontane
      Tramontane
    • Blade Runner 2049
      Blade Runner 2049
    • Loving Vincent
      Loving Vincent
    • The Critics
      • FILM
      • BOOKS
      • TELEVISION
    • SPOTLIGHT
    • SPECIAL FEATURES
  • ESSAYS
    • A SHEvolution is Coming in Saudi Arabia
      A SHEvolution is Coming in Saudi Arabia
    • Paxi: A New Business Empowering Women in Pakistan
      Paxi: A New Business Empowering Women in Pakistan
    • Nature and Self
      Nature and Self
    • ARTICLES
    • COMMENTARY
    • Narrative Nonfiction
  • CONTESTS
    • Pushcart Prize 2017 Nominations
      Pushcart Prize 2017 Nominations
    • Pushcart Prize 2016 Nominations
      Pushcart Prize 2016 Nominations
    • Pushcart Prize 2015 Nominations
      Pushcart Prize 2015 Nominations
    • PUSHCART 2013
    • PUSHCART 2014
Fiction, LiteratureFebruary 25, 2017

How to Be Happy in Warsaw

Don’t Go, Margarida!

They were four: a little girl, two boys and a white mutt with a black muzzle. The girl couldn’t have been older than five. She was thin, leggy. Her hair, fine and straight, almost black, was cut in a shoulder-length bob. Blunt bangs covered her eyebrows, reaching almost to her lashes, making her blink repeatedly. The two boys could have been twins. They were fair-skinned with light eyes and blond, curly hair. Shorter than the girl, they weren’t a day over four. The three children were crammed into a metal barrel around one and a half meters in diameter, cut some fifty centimeters up from the ground and filled with water. The little girl was seated, water chest-high. She wore a loose-fitting, black one-piece bathing suit that left her legs completely exposed. Now and then, she would slide down and plunge under the water, pinching her nose with her fingers. The boys, standing, wore navy blue shorts and tank tops, looking like little boxers. One of them tried to lower himself in, but, finding nowhere to sit — the girl, her legs apart, occupied the entire floor of the barrel — stood back up again. The other boy stomped around in the water and laughed. He stomped so hard the water sloshed out, drenching the dog, who was bounding around the barrel, barking. The more the water splashed, and the more the dog barked, the more he laughed. Joining in the game, the girl also began to scoop water out of the barrel. Now the dog leapt up high, snapping at the water as it flew through the air. The boy who had been trying to sit down gave up on this enterprise and, standing, also began to scoop out water.

“Let’s see who can throw it the farthest,” challenged the little girl in Spanish.

She stood up with the others, filled her little cupped hands and launched the liquid forward. The boys immediately imitated her. Whenever the water reached the ship’s balustrade, even if only just, they would cackle with laughter, throwing their heads back, and stomping their feet, arms in the air, wiggling their hips from side to side, in an insane, impromptu dance. Dona Oliva, with her cane, tried to make her way through — the barrel was right in the middle of the path between the stern and the entrance to the cabins — but retreated in the face of the numerous puddles that had formed on deck, making it slippery. Opalka, in his lounge chair, watched everything from afar, eyes squinting in the intense glare of the sultry early afternoon. His mind wandered, trying to remember if he had ever seen someone’s pet — a dog, a cat, a bird — on any of the ships he had sailed on, but he couldn’t recall a single one. The children seemed not to have noticed Dona Oliva’s presence. They continued to hurl water onto the deck. Suddenly, the sound of something heavy falling to the floor — a person, a chair, a trunk? — caught the attention of the dog, who stopped barking and turned, silent, ears pricked, in the direction of the sound, a corner of the deck behind Opalka. Realizing the dog was moving away, the boy who, earlier on, had been trying to sit down began to shout from inside the barrel.

The more the water splashed, and the more the dog barked, the more he laughed.

“Margarida, don’t go! Please, stay with us!”

He leaned over the side of the barrel, as far as he could without actually getting out, and arms outstretched, as if it were possible to reach the dog, he begged, with tears in his eyes:

“Margariiiida, please stay!”

The others, watching the dog move further away, formed a chorus:

“Margariiiiiida, please come back, come back to us! We can’t live without you.”

Margarida didn’t even look back. She seemed not to hear them. She continued swiftly and decisively toward the source of the noise. Opalka watched Margarida slip round a corner and out of the children’s sight. Clinging to the edges of the barrel, they shouted even louder for Margarida to return. The other boy also reached out his arms. Weeping profusely, he implored:

“Don’t go, Margarida, please don’t go.”

The girl moved to and fro inside the barrel, as if looking for a way out, as she, also in tears, called Margarida back. The first boy, hands cupped around his mouth, hollered skywards, to the heavens, to some god:

“Margarida, don’t leave us, we love you.”

Opalka was getting ready to go fetch Margarida, who was near him, when, out of nowhere, Bopp appeared — for some reason carrying one of his heavy suitcases — and abruptly bent down, hurling the suitcase aside, and grabbing hold of Margarida, who, frightened by such an abrupt gesture, crouched and froze. Then Bopp picked her up and carried her to the children who, still inside the barrel, jumped and clapped, delighted, soaking the deck once and for all.

 

Continue Reading

← 1 2 3 4 5 6 View All →

Tags

Allen ForrestfictionPortugueseStory of the WeektranslationsVerónica StiggerZoë Perry

Share on

  • Facebook
  • Twitter
  • Pinterest
  • Google +
  • LinkedIn
  • Email
Previous articleWhere I Leave You
Next articleTo the West Ice

You may also like

Billy Luck

To the Depths

Dearly Departed

Ad

In the Magazine

A Word from the Editor

Don’t cry like a girl. Be a (wo)man.

Why holding up the women in our lives can help build a nation, in place of tearing it down.

Literature

This House is an African House

"This house is an African house./ This your body is an African woman’s body..." By Kadija Sesay.

Literature

Shoots

"Sapling legs bend smoothly, power foot in place,/ her back, parallel to solid ground,/ makes her torso a table of support..." By Kadija Sesay.

Literature

A Dry Season Doctor in West Africa

"She presses her toes together. I will never marry, she says. Jamais dans cette vie! Where can I find a man like you?" By...

In the Issue

Property of a Sorceress

"She died under mango trees, under kola nut/ and avocado trees, her nose pressed to their roots,/ her hands buried in dead leaves, her...

Literature

What Took Us to War

"What took us to war has again begun,/ and what took us to war/ has opened its wide mouth/ again to confuse us." By...

Literature

Sometimes, I Close My Eyes

"sometimes, this is the way of the world,/ the simple, ordinary world, where things are/ sometimes too ordinary to matter. Sometimes,/ I close my...

Literature

Quarter to War

"The footfalls fading from the streets/ The trees departing from the avenues/ The sweat evaporating from the skin..." By Jumoke Verissimo.

Literature

Transgendered

"Lagos is a chronicle of liquid geographies/ Swimming on every tongue..." By Jumoke Verissimo.

Fiction

Sketches of my Mother

"The mother of my memories was elegant. She would not step out of the house without her trademark red lipstick and perfect hair. She...

Fiction

The Way of Meat

"Every day—any day—any one of us could be picked out for any reason, and we would be... We’d part like hair, pushing into the...

Fiction

Between Two Worlds

"Ursula spotted the three black students immediately. Everyone did. They could not be missed because they kept to themselves and apart from the rest...."...

Essays

Talking Gender

"In fact it is often through the uninformed use of such words that language becomes a tool in perpetuating sexism and violence against women...

Essays

Unmasking Female Circumcision

"Though the origins of the practice are unknown, many medical historians believe that FGM dates back to at least 2,000 years." Gimel Samera looks...

Essays

Not Just A Phase

"...in the workplace, a person can practically be forced out of their job by discrimination, taking numerous days off for fear of their physical...

Essays

The Birth of Bigotry

"The psychology of prejudice demands that we are each our own moral police". Maria Amir on the roots of bigotry and intolerance.

Fiction

The Score

"The person on the floor was unmistakeably dead. It looked like a woman; she couldn’t be sure yet..." By Hawa Jande Golakai.

More Stories

Kingship versus Kinship: Part II

“Nizam is just as homeless and out of place in the American’s valley as Antigone is in Thebes when it is reduced to Creon’s state of exception.” Part two of Peter Krause’s essay analysing Sophocles’ ‘Antigone’ and Joydeep Roy-Bhattachary’s ‘The Watch’.

Back to top
One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at maryamp@themissingslate.com.

Farewell, fam! It’s been quite a ride.

Read previous post:
Poems Against Borders

"A moment of seeing and speaking to each other through and against the fences..." The Missing Slate's February 2017 online...

Close