Private Theatre: Meek’s Cutoff
Senior film critic Tom Nixon writes on why Kelly Reichardt’s Meek’s Cutoff remains one of the best films of the decade so far.
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Reinventing the Reel: Why I Refuse to Watch Video Game Adaptations
Film critic Jay Sizemore is less than impressed with the trend of adapting video game franchises for the movie screen.
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Private Theatre: Cosmopolis
Senior Film Critic Tom Nixon mounts a defense for the much-maligned Cosmopolis in anticipation of David Cronenberg’s upcoming film Maps to the Stars.
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Reinventing the Reel: None Of The Above
Film Critic Jay Sizemore casts his cynical eye across Hollywood’s sorry mid-March lineup… from a safe distance.
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Private Theatre: Blue Is The Warmest Colour
Contributing editor Christine Jin discusses the controversies surrounding Abdellatif Kechiche’s Palme d’Or-winning romantic drama.
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Trash-Horror Ephemera: The Films of Chester Novell Turner
Film Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good†and “bad†lose all meaning.
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Reinventing the Reel: The Monuments Men
Film Critic Jay Sizemore wonders whether George Clooney’s passion for his new project The Monuments Men proved to be its undoing.
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In Praise of Shadows: Tanizaki and Horror
Contributing Editor Marcus Nicholls applies the ideas of Jun’ichirÅ Tanizaki to a comparison of Western and Eastern horror cinema.
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Reinventing the Reel: Robocop
Our disappointed film critic Jay Sizemore gathers his thoughts on one of the worst attempts at a franchise revamp he has ever seen.
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Private Theatre: White Reindeer
Senior Film Critic Tom Nixon argues that Zach Clark’s christmas comedy White Reindeer becomes even more relevant as we settle into the new year.
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