Baudelaire and Cinema, Part II: Temperament
Film Critic Marcus Nicholls applies Baudelaire’s principles of art criticism to F.W. Murnau’s Nosferatu, a Symphony of Horror and Werner Herzog’s Nosferatu, the Vampyr.
Read MoreFilm Critic Marcus Nicholls applies Baudelaire’s principles of art criticism to F.W. Murnau’s Nosferatu, a Symphony of Horror and Werner Herzog’s Nosferatu, the Vampyr.
Read MoreFilm Critic Marcus Nicholls suggests that we take a look at film, and Gus van Sant’s Last Days in particular, through Baudelaire’s view of art criticism.
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