Reinventing The Reel: The Grand Budapest Hotel
Film critic Jay Sizemore on why Wes Anderson’s latest is “easily the best film of 2014 so far”.
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Private Theatre: Meek’s Cutoff
Senior film critic Tom Nixon writes on why Kelly Reichardt’s Meek’s Cutoff remains one of the best films of the decade so far.
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Reinventing the Reel: Why I Refuse to Watch Video Game Adaptations
Film critic Jay Sizemore is less than impressed with the trend of adapting video game franchises for the movie screen.
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Private Theatre: Cosmopolis
Senior Film Critic Tom Nixon mounts a defense for the much-maligned Cosmopolis in anticipation of David Cronenberg’s upcoming film Maps to the Stars.
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Reinventing the Reel: None Of The Above
Film Critic Jay Sizemore casts his cynical eye across Hollywood’s sorry mid-March lineup… from a safe distance.
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Private Theatre: Blue Is The Warmest Colour
Contributing editor Christine Jin discusses the controversies surrounding Abdellatif Kechiche’s Palme d’Or-winning romantic drama.
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Independent I: An Interview with Gabrielle Burton
“I think people often conflate gender expression with gender identity, or transgender experience with drag.” Film critic Chuck Williamson talks to Gabrielle Burton about her upcoming documentary Kings, Queens, & In-Betweens.
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Independent I: An Interview with Davina Lee
“Film is the buzz-word right now in the Caribbean.” Senior Film Critic Tom Nixon interviews Davina Lee, one of St. Lucia’s top filmmakers, about her new film The Coming of Org.
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Trash-Horror Ephemera: The Films of Chester Novell Turner
Film Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good†and “bad†lose all meaning.
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Reinventing the Reel: The Monuments Men
Film Critic Jay Sizemore wonders whether George Clooney’s passion for his new project The Monuments Men proved to be its undoing.
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