Contemporary Ethiopian poets: Fekade Azeze
“Yes, I have walked your streets, I have made no strides./ Your secrets are endless, Addis!” Poetry by Fekade Azeze, translated from Amharic by the author and Chris Beckett.
Read More“Yes, I have walked your streets, I have made no strides./ Your secrets are endless, Addis!” Poetry by Fekade Azeze, translated from Amharic by the author and Chris Beckett.
Read More“Always in a flowered dress, always drenched in fate/ you sit, a lakeside lullaby/ a picture of youth then, and forever and forever/ I gnaw on whether you knew near the end…” Poetry by Liyou Libsekal.
Read More“in the year of the spider —/ everyone’s weaving a ladder/ of cobwebs, and trying/ to fly when they’re falling…”
Poetry by Zewdu Milikit, in Amharic and English.
“For him/ she is not just a woman:/ she holds the stars in her body, / the earth in her soul….”
Poetry by Bewketu Seyoum, in Amharic and English.
“We do not respect an angel for his wings/ or because he covers his face with his wings…” A selection of q’ene from Ethiopia, translated by Chris Beckett and Donald Levine.
Read More“You lime of the forest, honey among the rocks,/ lemon of the cloister, grape in the savannah./ A hip to be enclosed by one hand;/ a thigh round like a piston…” A selection of six Ethiopian praise poems.
Read More“Destitution is building a house./ Destitution is walling me in…” A selection of oral poems about famine, gathered by Fekade Azeze with the help of local schoolchildren in the highlands of Showa.
Read More“a man gave twelve cows for a beautiful woman and seventeen days after the wedding/ I came to the bridegroom, armed with my spear…” Two ancient Afar war chants, as recorded by Georges C Savard.
Read More“We know the triumphant end of that old scenario:/ disembowelled shroud, vacant catacomb…” Three poems to mark Easter Sunday, by John Robert Lee.
Read More“now I want to return,/ return to that alerted night,/ when you walked on my face/ with a thousand legs like a millipede,/ as if you owned the place…” Weekend poem, by Jeremy Freedman.
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