Private Theatre: Blind Detective
Film critic Chuck Williamson writes on Johnnie To’s genre-spanning ‘Blind Detective’.
Read MoreThe Critics
Private Theatre: Woman in the Dunes
Senior film critic Tom Nixon writes on Hiroshi Teshigahara’s existential 1964 classic Woman in the Dunes.
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Private Theatre: The Color Wheel
Senior film critic Tom Nixon writes on Alex Ross Perry’s blackly comic, uniquely affecting road movie ‘The Color Wheel’.
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Private Theatre: Snowpiercer
Senior film critic Tom Nixon reviews Bong Joon-Ho’s much-anticipated dystopian thriller ‘Snowpiercer’.
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Reinventing the Reel: Under The Skin
Film critic Jay Sizemore reviews Jonathan Glazer’s uniquely unsettling mood piece ‘Under the Skin’.
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Private Theatre: Heavenly Creatures
Contributing editor Christine Jin writes that Peter Jackson’s ‘Heavenly Creatures’ provided a non-judgmental account of events otherwise distorted by media bias.
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Reinventing the Reel: Captain America: The Winter Soldier
Film critic Jay Sizemore writes on why Captain America: The Winter Soldier is a return to form for the Marvel franchise.
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Private Theatre: Oslo, August 31st
Senior film critic Tom Nixon revisits Joachim Trier’s haunting sophomore film about a recovering drug addict.
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Private Theatre: The Deep Blue Sea
Senior film critic Tom Nixon writes on one of this decade’s finest melodramas.
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Reinventing The Reel: The Grand Budapest Hotel
Film critic Jay Sizemore on why Wes Anderson’s latest is “easily the best film of 2014 so far”.
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