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Fiction, LiteratureApril 8, 2017

Resurrection

The Beauty of Indecisions

The Beauty of Indecisions by Ernest Williamson III. Image courtesy of the artist.

Ah, yes. Finally. Lying down, surrendering to gravity, sinking, floating, falling through layer after layer and out the other side. No more pain. No discomfort. No thirst, no desire. Something cold and wet, my forehead, I couldn’t tell … Was I sweating? Ah yes, maybe I was. Everything is fine now. If only I had known it was so nice to die! Someone ought to tell people. Don’t be afraid, someone should say to them, so they won’t spend their whole lives fearing death. Look at me — it sure as hell isn’t because I was one of God’s chosen children. I’m floating. Everything is ocean. A massive green silence. I drift, flow, sway among shaggy seaweed, billowing like a woman’s hair. Like Lisa’s hair when it would fall down over my breast in flowing cascades. Dancing, cascading through the days. Oceanic music fills the undulating silence. A thousand-voiced sea organ — jubilant symphonies rising up, up, up. A slight breeze strokes my cheek. Or maybe it’s an angel. An angel’s breath. It is the angels who blow on people’s wounds. So maybe I’m not in the sea but in heaven? Then it’s the music of the spheres I’m hearing, the song of souls streaming toward me, calling me … Yes, yes, I’m coming now, I’m already here; born away on heavenly tones, over soft hills and valleys, green grass as far as the eye can see …

You could see all of it there from the top. Rolling fields and flowering borders, trees in rows and clusters, a flicker of leaves. Brown cows, red cows, green cows—green in front and behind and all the way around. Farther out the ocean lay there, shining in the morning light, pale blue, calm. Disappearing and surfacing and disappearing again. I sat in a bus. On the way to … can’t remember. What was I doing in a bus? Maybe not on the way to something but away from something?

Morning. Very early in the morning … the streets quiet and empty, and everything was already much too late. I was on my way home. Or maybe I wasn’t. The cranes stood there swaying in the harbor. Maybe I didn’t even know where home was. Maybe I just wanted to be gone. Yes, that’s what it was, I think. And then that bus standing there, some fucking bus in the middle of everything. The sun was sailing around in the blue enamel. The door stood open. The empty seats looked soft. My body felt suddenly heavy and miserable, just wanted to sink down into one of those seats, disappear among the cool shadows of the backrests and wake up someplace else. A place where the last days had never happened — not there or anywhere else. The sky, I wanted to have sky over my head. Cornfields, dandelions, wind. Some cud-chewing cows who didn’t know shit about anything. Maybe a very small tavern if necessary, or even just a grocer, a couple of dewy beers that would appear like a mirage between the clover and the cow dung, if it should get too dry with all that fresh air.

“Next stop: Lower Uglebølle.” That I remember. The bus driver’s voice was clear and distinct. Had never heard of a place with a name like that, but okay, when you looked out the window the meaning was clear enough: In front of us the landscape swooped, with fields, trees and cows and everything, as if down into a huge hole. And from there up again. A collection of houses crept up over the hill on the other side of the bottom. With fire in their windows. At least that’s how it looked. Lower Uglebølle? That sounded pretty damn reasonable, I was certainly there already, at rock bottom, so why not Lower Uglebølle? At least it was one hole in the ground I hadn’t dug myself.

Everything is fine now. If only I had known it was so nice to die! Someone ought to tell people.

Now they’ve started singing again, the souls. Or angels, maybe it’s the angels. A whole choir of them. They must be somewhere nearby, I can feel their breath, the soft breeze from the beating of their wings. They’re everywhere, behind me, above me, around me. Their song rises and falls, lifting my head and setting it gently back down again. Softer now. Was it hard before? It’s good now — it was good before, it’s all good. Something farther down comes loose, as if it has snapped. I’m drifting, floating, swaying quietly among the stars. The night is black as gold, but this is better. Better than Barolo, better than Arnbitter and Wiibroe’s vintage beer. Johnny Cash’s burning voice. Better than pussy, even the best bang: only a fleeting twitch between rows and rows of pitfalls, tears and difficulties…

Damn …. was I able to perform? A window, the first gray light of day. Karina? Katja? Shabby wallpaper, a white-wicker chest of drawers. Kerstin? Incredible tits, the kind you want to bury your head between and never come up for air. And she damn well knew it, too — the way she sat there at the bar with them sticking out. When was that? Yesterday, the day before, another lifetime? Or was her name Kamilla? Something with K, anyway. I think. Or maybe another letter. Sorry, Ludmilla, if I didn’t hit my mark. My form could certainly have been better. And the money, Pernilla, shit, did you ever get the money?

There’s something on my shoulder. A light and gentle weight. Maybe it’s been lying there the whole time. Someone is saying something from far away. The voice slowly draws nearer, a woman’s voice … Lisa? Lisa is walking toward me — Lisa is on her way back to me; she floats, dances, smiles. That smile reaches across all the dry years that separated us, wipes them away as if they had never existed. Okay, wet then. Periodically wet. But that was only because it was so dry, otherwise.

“Now, I think he….” The rest fades away.

White ceiling. White arches. Not a hospital but … something I already know somehow. Aren’t I dead, though? The light is coming from one side. A soft breeze across my skin. Is it still the angels? Angels — help, what is it, a pair of gigantic glasses are coming down toward my face. My forehead slamming directly up into his.

“Hello there … !”

The man adjusts his glasses, which have fallen halfway down his cheeks. I’m sitting up now, his face is right in front of mine. He smiles: “Are you okay?”

Who is he? He’s on his knees in front of me. He looks like one of those tv-hosts in those glasses. A real pair of picture windows. He moves to my side, lays an arm around my back. Is he gay, or what? I try and pull away, but nothing is happening with my muscles. Or tendons, nerves, or whatever it is that usually lets you move when you want to move. It’s certainly not because I smell like perfume. But his arm stays there.

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One last love letter...

April 24, 2021

It has taken us some time and patience to come to this decision. TMS would not have seen the success that it did without our readers and the tireless team that ran the magazine for the better part of eight years.

But… all good things must come to an end, especially when we look at the ever-expanding art and literary landscape in Pakistan, the country of the magazine’s birth.

We are amazed and proud of what the next generation of creators are working with, the themes they are featuring, and their inclusivity in the diversity of voices they are publishing. When TMS began, this was the world we envisioned…

Though the magazine has closed and our submissions shuttered, this website will remain open for the foreseeable future as an archive of the great work we published and the astounding collection of diverse voices we were privileged to feature.

If, however, someone is interested in picking up the baton, please email Maryam Piracha, the editor, at [email protected].

Farewell, fam! It’s been quite a ride.

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