Reinventing the Reel: Grace of Monaco
Film critic Chuck Williamson gathers his thoughts on ‘Grace of Monaco’, Olivier Dahan’s much-maligned Cannes 2014 opener.
Read MoreFilm critic Chuck Williamson gathers his thoughts on ‘Grace of Monaco’, Olivier Dahan’s much-maligned Cannes 2014 opener.
Read MoreFilm critic Chuck Williamson interviews Charles Pinion — an ex-artist and punk singer turned transgressive filmmaker — about his methods, philosophy and new film ‘Aztec Blood’.
Read MoreThe Missing Slate’s film team offer up their selection of alternative horror picks for Halloween.
Read MoreChuck Williamson revisits Edwin S. Porter’s ‘Laughing Gas’ (1907), a film which ‘traffics in racial spectacle.’
Read MoreFilm critic Chuck Williamson pulls no punches in his evaluation of Jonathan Liebesman’s “terminally stupid” ‘Teenage Mutant Ninja Turtles’ reboot.
Read More“The wonderful thing about making documentaries is that you forge relationships with the subjects…“ Chuck Williamson interviews ‘Hoop Dreams’ director Steve James about his new Roger Ebert documentary ‘Life Itself’.
Read More“I love films that successfully break rules on some level.” Film critic Chuck Williamson speaks to award-winning Chicago-based filmmaker Jennifer Reeder about her new short film ‘A Million Miles Away’.
Read MoreFilm critic Chuck Williamson writes on Johnnie To’s genre-spanning ‘Blind Detective’.
Read More“I think people often conflate gender expression with gender identity, or transgender experience with drag.” Film critic Chuck Williamson talks to Gabrielle Burton about her upcoming documentary Kings, Queens, & In-Betweens.
Read MoreFilm Critic Chuck Williamson believes that, when faced with the confrontational trash-horror ephemera of Chester Novell Turner, qualifiers like “good†and “bad†lose all meaning.
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