a book
“Late at night, silent, the consciousness of his work surprised him…” By Jesús Urzagasti, translated from Spanish by Jessica Sequeira
Read MoreAlone in Babel
how to be elegant in hell
“Barriga writes from atrocity and the abyss, from unending night as he dances with his demons.” Liliana Colanzi on the work of Julio Barriga.
Read More
Hilda Mundy, the avant-garde
“Literature, in the Dadaist gesture of the author, is a useless project that must be questioned…” Edmundo Paz Soldán pays tribute to the pioneering work of Hilda Mundy.
Read More
postscript — cochabamba
“We returned hungry. We wanted to bathe, wanted to drink rum. We wanted to write or smoke on the balcony. The horizon appeared to expand as the sun went down…” By Claudio Iglesias & Jessica Sequeira.
Read More
i remember… (following Brainard and Perec)
“I once saw a construction worker fall from the rooftop of a two-floor house onto the street. He fell on his head and a pool of dark blood immediately started forming there. I never saw his face because he fell backwards.” By Sebastián Antezana, translated from Spanish by the editorial team of Traviesa.
Read More
the poetry of yesterday and today in bolivia
“Thinking in terms of a golden age is complicated, because it can introduce nostalgia for a past time better than the present, and encourage the idea each period has its corresponding poet, which creates rivalries between the old and the new.” Adapted from Emma Villazón’s talk at the 20th International Feria de Libro in La Paz.
Read More
Disgraphias of the poet: the drawings of Jaime Saenz
“What should one do when the time comes to look at the pen strokes of the drawings of Jaime Saenz, the circular strokes and dizzy loops?…” Excerpted from an essay by Marcelo Villena Alvarado.
Read More
Age of Blight
“If you revel in the uncanny, this is a collection you will not want to miss.” Sauleha Kamal reviews ‘The Age of Blight’, by Kristine Ong Muslim.
Read More
Simple Complex Shapes
“There is a morphous quality to the words in ‘Simple Complex Shapes’: they refuse to stay put.” Jamie Osborn reviews Vahni Capildeo’s latest collection.
Read More
Three Deaths
“Olaszliszka reaches back to the very roots of Western theatrical tradition to depict a very modern tragedy.” Ottilie Mulzet reviews Gábor Maté’s production of Szilárd Borbély’s play in verse.
Read More