Private Theatre: Joe
Senior film critic Tom Nixon is less than impressed with David Gordon Green’s alleged return to form.
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Private Theatre: Woman in the Dunes
Senior film critic Tom Nixon writes on Hiroshi Teshigahara’s existential 1964 classic Woman in the Dunes.
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Private Theatre: The Color Wheel
Senior film critic Tom Nixon writes on Alex Ross Perry’s blackly comic, uniquely affecting road movie ‘The Color Wheel’.
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Private Theatre: Snowpiercer
Senior film critic Tom Nixon reviews Bong Joon-Ho’s much-anticipated dystopian thriller ‘Snowpiercer’.
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Private Theatre: Oslo, August 31st
Senior film critic Tom Nixon revisits Joachim Trier’s haunting sophomore film about a recovering drug addict.
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Private Theatre: Vamps & Only Lovers Left Alive
Senior film critic Tom Nixon writes on two destined-to-be-dismissed vampire comedies with melancholy undertones.
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Private Theatre: The Deep Blue Sea
Senior film critic Tom Nixon writes on one of this decade’s finest melodramas.
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Private Theatre: Meek’s Cutoff
Senior film critic Tom Nixon writes on why Kelly Reichardt’s Meek’s Cutoff remains one of the best films of the decade so far.
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Private Theatre: Cosmopolis
Senior Film Critic Tom Nixon mounts a defense for the much-maligned Cosmopolis in anticipation of David Cronenberg’s upcoming film Maps to the Stars.
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The Gaze of the Voyeur
“Women are denied agency, defined only in relation to the active gaze of the male viewer, or male characters with whom the viewer is encouraged to relate,” writes Senior Film Critic Tom Nixon in the Winter 2014 issue.
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