Private Theatre: Neil Jordan’s Byzantium
Rhea Cinna reviews Neil Jordan’s melancholic and strangely extravagant Byzantium.
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What is World Literature?
In the opening essay from ‘Literature at the Global Crossroads’, Anis Shivani reflects on the past, present, and future of ‘World Literature’
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Don’t Trust the Happy Endings at ABC
Shazia Ahmad rages against TV’s cancelation travesties in the second of her two-part tirade…
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Baudelaire and Cinema, Part II: Temperament
Film Critic Marcus Nicholls applies Baudelaire’s principles of art criticism to F.W. Murnau’s Nosferatu, a Symphony of Horror and Werner Herzog’s Nosferatu, the Vampyr.
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Private Theatre: Werner Herzog’s Cave of Forgotten Dreams
Rhea Cinna talks about Werner Herzog’s documentary, Cave of Forgotten Dreams.
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Spotlight Writer: Farah Ghuznavi
Farah Ghuznavi discusses the dangers of stereotyping, the riches of Bangla literature, and the reasons why no one should be a writer…
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Spotlight Writer: Aamer Hussein
The author of “The Cloud Messenger” talks about “post-9/11” writing, what it means for emerging Pakistani writers and why he doesn’t believe he qualifies as one.
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‘The buzz of the city translated into poetry’
Camille Ralphs reviews Best of Manchester Poets, Volume 3
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Private Theater: Hirokazu Koreeda’s Hana
Hirokazu Koreeda’s Hana tells the story of a samurai who sets out to take vengeance on his father’s killer and finds a new life for himself throughout his journey.
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El último guazubirá
The Spanish original of “The Last Grey Brocket” by Julio Figueredo.
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