Women in Film: Yuki Tanada
This week’s spotlight falls on Yuki Tanada, a female director who, by her own admission, tries to stay true to the genres she loves while at the same time defying stereotypes.
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‘This gnaws away at my heart’: Szilárd Borbély’s The Dispossessed
A ‘devastating’ exploration of poverty by one of Hungary’s finest writers, reviewed by Ottilie Mulzet.
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Caine Prize: The Whispering Trees, by Abubakar Adam Ibrahim
Beverley Nambozo Nsengiyunva finds plenty to admire in Abubakar Adam Ibrahim’s Caine-shortlisted ‘The Whispering Trees’
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Coraline and Freud’s Uncanny
What do Pixar animation and Freud have in common? Quite a lot — just read Film Critic Marcus Nicholls’ essay and find out.
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Caine Prize: Foreign Aid, by Pede Hollist
Beverley Nambozo Nsengiyunva reviews Pede Hollist’s ‘Foreign Aid’, shortlisted for the Caine Prize
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Caine Prize: Miracle, by Tope Folarin
Tope Folarin’s Caine Prize-shortlisted ‘Miracle’, reviewed by Beverley Nambozo Nsengiyunva
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Reinventing the Reel: Iron Man 3
TMS Film Critic Jay Sizemore shares his opinion on the latest in the Iron Man franchise. Is it lucky number three?
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Wearing the Pants in Publishing
Oxford University Press Pakistan’s Managing Director, Ms. Ameena Saiyid has nearly singlehandedly, turned the country’s publishing and literary scenes on their head. Ghausia Rashid Salam writes about Ms. Saiyid’s journey and why being a woman in a man’s world has made all the difference.
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PalFest: The ‘Iron Man’ of Literary Festivals
M. Lynx Qualey reports from the Palestine Festival of Literature
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The French Cannes-Cannes
The Missing Slate is keeping an eye (albeit from a distance) on what’s happening at the Cannes Film Festival right now.
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